Day in the Life
Ellie Cotey at work in The Joffrey Ballet's costume shop. Photo by Temur Suluashvili, Courtesy Joffrey.

Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.

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Just for Fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

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Just for Fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

Keep reading... Show less
Just for Fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

Keep reading... Show less
Career Advice
David Neumann's I Understand Everything Better. Photo by Maria Baranova, courtesy Neumann

Collaboration is a curious thing. For choreographers, it can open their practice to another set of eyes. It can allow their work to exist in a larger way. It can add serious heft to the final artistic product, with a signature all of its own.

But: There's an art to working in close communion with another artist, whether they're a designer or a composer. At the heart of the process is developing a rapport where each collaborator feels a sense of freedom within a set of given limits, where each understands what the other needs. Getting to that point takes some back and forth, trial and error, and several stabs in the dark.

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Career Advice
Bartelme and Jung compare colors. Photo by Michael Manata, courtesy Reid & Harriet

Reid Bartelme and Harriet Jung were still students at the Fashion Institute of Technology when their first joint commission came along: Creating the costume for a Fall for Dance piece Andrea Miller choreographed on Drew Jacoby. The pair officially joined forces in 2011, forming their eponymous label and building a resumé that includes designing for American Ballet Theatre, New York City Ballet and Miami City Ballet. Reid & Harriet Design's success lies in their ability to mix bold colors and unique textures with an innate understanding of what dancers need to perform comfortably.

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Just for Fun
@sab_nyc via Instagram

Halloween is almost here and that means its time to get serious about finding the perfect costume. A lot of you dancers need costumes that are both fun and functional so that you can go straight from dance class to the streets, without missing a beat. Here are nine of the most creative, yet versatile ensembles that'll allow you to enjoy Halloween festivities without compromising your dance training.
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Just for Fun
@sab_nyc via Instagram

Halloween is almost here and that means its time to get serious about finding the perfect costume. A lot of you dancers need costumes that are both fun and functional so that you can go straight from dance class to the streets, without missing a beat. Here are nine of the most creative, yet versatile ensembles that'll allow you to enjoy Halloween festivities without compromising your dance training.
Keep reading... Show less

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