Angelica Escoto, courtesy Flamenco Vivo Carlota Santana
Irene Rodriguez's recent Dance Magazine interview—which mentions only a few of the many flamenco companies in the U.S. and claims a lack of innovation in American flamenco, and has already drawn criticism in a letter to the editor penned by Ensemble Español—brings to the forefront a deeper problem surrounding flamenco in the United States.
Why are so many flamenco dance companies and dancers in the U.S.—especially those pushing the form forward—overlooked and undervalued? Why do we constantly have to defend our work?
Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt
What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.
Here they are: the 25 up-and-coming artists we believe represent the future of our field.