Photo by Jeff Eason, courtesy of Dance Films Association
At the Dance on Camera Kickoff Gala on July 16, Dance Films Association honored two beloved dance artists from different generations: Jacques d'Amboise and Trey McIntyre.
After a composite of d'Amboise's charismatic dancing was shown, Jacques regaled us with stories. He didn't talk about dancing for Mr. B, he didn't talk about his dazzling turns in the movie Carousel, or how dashing he looked in the emerald green shirt in Seven Brides for Seven Brothers. He talked about Tanaquil Le Clercq in Jerome Robbins' Afternoon of a Faun (1953)—a tiny clip of it was in the montage that DFA showed in tribute to him. Apparently both Jacques and Tanny thought the other had gotten permission from Robbins to make a film about Afternoon of a Faun in Toronto, but they hadn't. Jerry was furious when he found out about it. And then…Tanny came down with polio. And Robbins was soooo happy to have a bit of her gorgeousness on film. When Jacques gives her that slow kiss, which she accepts with a glowing stillness, a moment froze in time.
92Y Harkness Dance Center is hosting the first festival dedicated to dance films captured on mobile devices. Photo by Adam Grannick, Courtesy 92Y
Who says you need fancy equipment to make a festival-worthy dance film? Right now, two New York City–based dance film festivals are calling for aspiring filmmakers to show their stuff—and you don't need anything more cumbersome than a smartphone to get in on the action.
Here's everything you need to know about how to submit:
But how do you take your passion for posting your dance videos on social media and translate that into a career in dance for film?
Using social media is a great way to get your career off the ground. And now, with editing tools like Boomerang built directly into the Instagram app, you can make even more creative choices. Holly Wilder of Wilder Project says that social media offers a place to experiment: "You can release small segments of work or unfinished ideas."