Dance History
The Mariinsky Ballet in Balanchine's "Rubies," photo courtesy Mariinsky Ballet

Dear Editor,

I've just read Emma Sandall's piece on hyperextension and the 180-degree position. It's intelligent, interesting, well-written. But there are a few mistakes and some misleading remarks. I can't resist writing the following.

1. If Guillem says Fonteyn said would have lifted her leg higher if she could, then that's what Guillem says.

But she's wrong. Keith Money's book "Margot Assoluta" (published in 2000) includes a photo of Fonteyn in rehearsal doing a seconde almost to shoulder-height: she told Money "I can get the leg that high—but it ruins the line." Fonteyn wanted level hips, something crucial to many ideas of placement but not discussed by Sandall.

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