Amber Gray and the cast of Hadestown. Photo by Helen Maybanks, Courtesy DKC/O&M
The Tony Award nominations were announced yesterday morning, and, as always, they gave us a lot to talk about.
Could Hadestown sweep the awards? Why didn't John Heginbotham's work on Oklahoma! garner him aBest Choreography nomination? What musical numbers will the nominated shows bring to the ceremony on June 9? To discuss, we gathered a group of musical theater–loving editors from Dance Magazine and Dance Spirit for a roundtable conversation about the nominees.
Ari Groover (center) became a muse for Head Over Heels' movement style. Photo by Joan Marcus, courtesy Boneau/Bryan-Brown.
Earlier this year, Ari Groover faced the ultimate Broadway champagne problem: She was offered a contract for both Summer: The Donna Summer Musical and Head Over Heels. She ultimately chose Head Over Heels, and watching her in the show, it's easy to see why she's in such demand: Groover is a consummate storyteller, imbuing Spencer Liff's jaw-droppingly complicated choreography with seemingly endless energy and sly wit.
The Macy's Thanksgiving Day Parade is full of dancing, including the Rockettes. Photo courtesy Macy's
Don't get us wrong: We're totally looking forward to enjoying a delicious Thanksgiving dinner. But one of our favorite parts of the holiday actually happens in the morning. We've got six reasons for you to wake up early on Turkey Day, and they're all part of Macy's Thanksgiving Day Parade.
The 92nd annual holiday event airs at 9 am Eastern on NBC, and this year, you can catch live performances from five Broadway shows, plus everyone's favorite high-kicking dancers, the Radio City Rockettes.
The cast of Head Over Heels performs "We Got the Beat." Photo by Joan Marcus, Courtesy Boneau/Bryan-Brown.
For the new Broadway season, Ellenore Scott has scored two associate choreographer gigs: For Head Over Heels, which starts previews June 23, Scott is working with choreographer Spencer Liff on an original musical mashing up The Go-Go's punk-rock hits with a narrative based on Sir Philip Sidney's 1590 book, Arcadia. Four days after that show opens, she'll head into rehearsals for this fall's King Kong, collaborating with director/choreographer Drew McOnie and a 20-foot gorilla.
Scott gave us the inside scoop about Head Over Heels, the craziness of her freelance hustle and the most surprising element of working on Broadway.