Elizabeth Earley's path to the Great White Way was fueled by perseverance. Currently a swing and co-dance captain for Hello, Dolly!,she shared her journey with Dance Magazine.
When I was a freshman at New York University's musical theater studio, I cut class to attend a singers' Equity Chorus Call for The Phantom of the Opera. I had no idea how casting worked. I hoped they might realize I was a ballet dancer and put me into consideration for a ballerina. After waiting in line for hours, I sang "Falling in Love with Love." The team asked, "Is this your first New York audition?" They said, "You are so cute," but there was no callback. Later, I saw the show was holding an open dance call. I went. The line wrapped around the block. We did two pointe combinations. But again, I was cut.
It's mad-dash time on Broadway, as shows scramble to qualify for the June 11 Tony Awards. "It is a crazy season," says Andy Blankenbuehler, who won last year for choreographing Hamilton. And the 10 musicals arriving in the two months preceding the deadline, April 27, "are all over the map," he says. "So many different audiences will find a show to really be in love with."
One of them is his own, Bandstand, set in 1945 as GIs resume their lives after World War II. Working with composer Richard Oberacker and writer Robert Taylor, "Andy the Director" focused initially on "music, text, characters—establishing the world," he says, to tell the story of veterans forming a big band.
In Broadway's CATS, Giuseppe Bausilio exploded across the stage as the wild and rascally Carbucketty. With fiery exuberance, he transformed steps into drama, songs into lullabies, dosing out magic with his sheer joy of performing. He recently left his cat suit behind to join his fifth Broadway show, Hello, Dolly! Though he's only 19, he makes dreams like "originating a leading role on Broadway" sound possible.