News
New York City Ballet's Nutcracker has been performed every year since 1954. Photo by Paul Kolnik, via nycb.com

Love it or hate it, come December, The Nutcracker is ubiquitous. It's easy to wonder whether it's sustainable to keep performing the same holiday classic year after year, or to spend millions of dollars reinventing it for new productions. But believe it or not, the show's popularity is only growing.

Every year, Dance/USA conducts a Nutcracker Survey on its member companies, compiling data about ticket sales, attendance and more. The organization just reported on the state of the Nutcracker for the first time since 2008, and the data shows just how much the ballet's prevalence has grown in the past 10 years—and how much companies have come to rely on it as a revenue source:

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Breaking Stereotypes
A still from the new documentary, DANSEUR. Image courtesy DANSEUR

According to the new documentary DANSEUR, 85% of males who study dance in the United States are bullied or harassed. A quote in the film from Dr. Doug Risner, faculty member at Wayne State University, states, "If this scope of bullying occurred in any activity other than dance, it would be considered a public health crisis by the CDC."

So why is it allowed to persist in ballet? And why aren't we talking about it more? These are the questions that DANSEUR seeks to answer. But primarily consisting of dance footage and interviews with male dancers like ABT's James Whiteside, Houston Ballet's Harper Watters and Boston Ballet's Derek Dunn, the film only addresses these issues superficially, with anecdotes about individual experiences and generalizations about what it's like to be a male dancer.

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Dancers Trending
Mónica Gómez overcame her shyness and performed a nuanced Kitri. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Mónica Gómez became Houston Ballet's newest It girl overnight after her sensational April performance of Kitri. All fire, but with ample doses of flash, Gómez brought her natural star power to the role's nuances. "I am a very shy person," says the soloist, "so I had to work on my sass." Her richly textured dancing, combined with her incredibly expressive eyes and virtuosity, created magic onstage.

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News
Houston Ballet rehearsing Theater Under The Stars' Oklahoma! choreographed by Stanton Welch. Photo by Lawrence Knox

Rodgers & Hammerstein's classic 1943 musical Oklahoma!, now celebrating its 75th anniversary, brought a bounty of firsts: Rodgers and Hammerstein's first collaboration, Agnes de Mille's first dream ballet, the first time that a Broadway choreographer got a credit as a choreographer.

This week, there will be another first: the first time Houston Ballet and Theatre Under the Stars, Houston's home for musical theater, worked together to put on a show.

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Dancers Trending
Alice Sheppard in DESCENT. Photo by MANCC/Chris Cameron

You nominated the best performances you've seen so far in 2018, and we narrowed them down to our favorites. Now it's time to cast your vote to decide who will be featured in our December issue!

Voting is open until September 17. Only one submission per person will be counted.

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Health & Body
Karina Gonzalez and baby Julia, photo via Instagram

Houston Ballet principal Karina González stunned audiences last fall with her emotionally charged Mary Vetsera in Kenneth MacMillan's Mayerling—while 16 weeks pregnant. "I had to be careful because the pas de deux are crazy," says González, who carefully planned her pregnancy so that she could dance in this ballet. "Thankfully, I had the best partner in Connor Walsh."

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Just for Fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Just for Fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Just for Fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Playlists
Photo by Jayme Thornton for Dance Spirit

It's no secret that Houston Ballet soloist Harper Watters loves Queen Bey. So we dared to ask him to rank his favorite albums. This is what he sent us:

Dangerously In Love: EVERYTHING
B'Day: LIT
I Am...Sasha Fierce: YASSS
4: SHOOK
Beyoncé: WIG SNATCHED
Lemonade: SLAY

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News
Houston Ballet's Karina González in Swan Lake. Photo by Amitava Sarkar, Courtesy Houston Ballet

When Hurricane Harvey unleashed its rainy path of destruction on the downtown Theater District in Houston in August, Houston Ballet staff, dancers and fans knew it would not be business as usual this season. Over 40 inches of rain drenched Houston, damaging nearly one hundred thousand homes. In all, it caused an estimated $200 billion of damage in Texas. Some of that damage hit Houston Ballet's Center for Dance when the waters jumped the building's four-foot floodgates, leaving two to three inches of water in the lobby and first-floor studios.

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News
Miami City Ballet in Jerome Robbins' West Side Story Suite. Photo by Daniel Azoulay, Courtesy MCB

From the over-the-top antics of Fancy Free to the stylized realism of West Side Story, the discomfiting world of The Cage to the poignant humanity of Dances at a Gathering, the work of Jerome Robbins redefined what American dance could be. To celebrate the 100th anniversary of his birth, ballet companies across the country are performing his iconic works throughout the year. Here are a few of our favorites, but keep your eyes peeled for more Robbins tributes in 2018.

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25 to Watch
Richter and artists of Houston Ballet in The Nutcracker. Photo by Amitava Sarkar, Courtesy Houston Ballet

Houston Ballet demi-soloist Mackenzie Richter is fond of saying "Adagio is not my thing," but after her performance int he third "Kingdom of the Shades" solo in Stanton Welch's La Bayadère, she needs to reconsider that statement. Control, suspension and floating grace to carry off the most difficult adagio work are most certainly her thing now, along with her allégro, jumping and turning abilities.

Long and leggy, the powerhouse ballerina got plucked out of HBII early to apprentice, and was then promoted to the corps mid-season in 2016 and to demi-soloist in September 2017. "I am working on being a little less academic," says Richter. "Being perfect doesn't mean that you are interesting to watch."

Find out who else made Dance Magazine's "25 to Watch" list this year.

Dance Training
PC Catherine Park

When you're preparing for a competition, it's critical to find a coach who can refine your technique and bring out your artistry. Their expertise, along with your trust, professionalism and commitment, will be key to getting the most out of your solo rehearsals—and will make or break your performance. But how do you choose a coach who's right for you?

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Dancers Trending
Connor Walsh rehearses the role of Rudolf in Kenneth MacMillan's Mayerling. Photo by Amitava Sarkar, Courtesy Houston Ballet.

It's been 34 years since Sir Kenneth MacMillan's Mayerling touched down on American soil, when The Royal Ballet first performed the great English master's tour de force ballet stateside. On September 22–24, Houston Ballet becomes the first North American company to perform MacMillan's epic chronicle of the murder-suicide of the heir to the Austro-Hungarian Empire, Crown Prince Rudolf, and his 17-year-old mistress, Baroness Mary Vetsera. Chronicling the last chapter of the Hapsburg Empire, the ballet is known for its true-to-life realism, and for the role of Rudolf, which transformed the way male ballet dancers drive a story. It's considered a dream role for a male dancer. And with seven pas de deux with five different women, a deadly difficult one at that.

Driving Houston Ballet's Mayerling train is principal Connor Walsh, who nearly missed this opportunity to dance the part when Hurricane Harvey flooded Houston Ballet's theatrical home, Wortham Center. Now moved to the Hobby Center for the Performing Arts and back in rehearsal, Walsh took a break from his busy schedule to talk about the role of a lifetime.

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Dancers Trending
Houston's theater district on Sunday, August 27. Photo by Michael Stravato for The Texas Tribune

It's been 12 years nearly to the day that I last reported on a hurricane for Dance Magazine during Katrina, which devastated much of New Orleans. Now, as you are well aware, Harvey is approaching that level of catastrophe, with 18 deaths, a record rainfall of 51 inches, more than 10,000 Houstonians in shelters, and with our bayous at capacity. You've seen the photos. It's awful, heartbreaking and still dire for many stranded in their homes or in danger of continued flooding.

For local artistic directors, choreographers and studio directors, the first task was to find out how their dancers and teachers were managing, and the state of their homes and family.

"I've been concerned about the safety of the dancers," says Annie Arnoult, director of Hunter Dance Center and Open Dance Project. "The dancers live all over the city and surrounding areas. Most have been trapped in their homes...a few without power. We've stayed in constant touch through regular 'roll calls,' and everyone's fine so far; but I will feel much better when we can be back together face-to-face doing what we do best."

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Popular

These days, it's not uncommon to see men dancing on pointe. Sure, the Trocks have been doing it forever, but now even men in traditional companies are seeing the benefits of training in pointe shoes.

And yet, we've never seen anything like this video of Houston Ballet's Hayden Stark, Derek Dunn and Daniel Durrett performing the "Shades" variations from La Bayadere on pointe. It's not a parody video or a spoof. These boys' pointework is the real deal, and we're all for it.

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Popular
Patricia Barker at Grand Rapids Ballet

By the end of the summer, two major international ballet companies will have new artistic directors. And they'll both be American.

Today, The Royal New Zealand Ballet announced that current Grand Rapids Ballet artistic director Patricia Barker will take over the company later this month. The former Pacific Northwest Ballet star will succeed Francesco Ventriglia, who announced his resignation in November. We've yet to hear who will be taking over for Barker at Grand Rapids, but for the 2017-2018 season, Barker will be doing double artistic director duty from across the world.

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Dancers Trending

When Houston Ballet demi-soloist Harper Watters first posted a short video of himself in bubblegum pink heels, he went to sleep with 4,000 Instagram followers. He awoke to more than double that, and 500-plus comments. Now at nearly 65,000 followers, Watters knows he (and his partner in crime, fellow Houston Ballet dancer Rhys Kosakowski) struck a fun chord with a new audience.

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Dancers Trending

To promote its revival of Stanton Welch's Cinderella, Houston Ballet recently posted a short video on social media. It wasn't the regular teaser of expertly edited performance footage, but instead a parody on the hit show "The Office." While ballet and comedy may seem to be unlikely partners, this works. Trust us; we laughed more than a few times. Check out the video below and watch Cinderella (who plays the equivalent of "The Office's" Pam) navigate her day with an impossible group of employees.

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