News
Alvin Ailey American Dance Theater's Jamar Roberts. Photo by Andrew Eccles, Courtesy Ailey

Here are the latest promotions, appointments and transfers, plus notable awards and accomplishments from the last month.

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Health & Body
Quinn Wharton for Pointe

We know there are certain things dancers can do pre-show to help them perform at their best. (Like warming up, eating something energizing and maybe even taking a nap!)

But pre-show routines are also highly individual, and involve artists preparing their heads for performance just as much as their bodies. That could mean anything from listening to a favorite song, bonding with cast members or meditating.

Feeling like your pre-show ritual could use a bit of inspiration? These 12 pros shared their tried-and-true routines with us:

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Dancers Trending

It can be hard to imagine life without—or just after—dance. Perhaps that's why we find it so fascinating to hear what our favorite dancers think they'd be doing if they weren't performing for a living.

We've been asking stars about the alternate career they'd like to try in our "Spotlight" Q&A series, and their answers—from the unexpected to the predictable—do not disappoint:

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Spotlight
Jamar Roberts in Talley Beatty's Stack-Up. Photo by Paul Kolnik, courtesy Ailey

Jamar Roberts has long been one of Alvin Ailey American Dance Theater's most thrilling performers, bringing his sinuous power to whatever the company's wide-ranging repertory throws at him. Last season, Roberts' own movement became a part of that repertory: His blues-inspired Members Don't Get Weary, set to the music of John Coltrane, received rave reviews, and returns this week as part of the company's 60th Anniversary season at New York City Center.

We caught up with Roberts for our "Spotlight" series:

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What Wendy's Watching
Jawole Willa Jo Zollar's Shelter addresses homelessness. Photo by Paul Kolnik, Courtesy Ailey

Just in time for its summer season at Lincoln Center, the dancers and management of Alvin Ailey American Dance Theater have settled their issues surrounding the performers' union contracts. Now that they've reached a new collective bargaining agreement, the dancers can sail into this weeklong season of nine ballets. (Well, maybe not sail, since this is some of the hardest repertory on earth.)


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The Creative Process
Brandon Sterling Baker never tries to make it a "light show." Photo by Lora Robertson, courtesy Baker

He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.

He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.

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In The Studio
Alvin Ailey American Dance Theater rehearsing Robert Battle's Mass.

In a sun-soaked studio in New York City, Alvin Ailey American Dance Theater prepares for their 21-city North American tour beginning January 30. We caught up with artistic director Robert Battle to discuss his work Mass and how the tradition of modern dance has always been connected to social justice.

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What Wendy's Watching
Jamar Roberts, PC Paul Kolnik

Alvin Ailey American Dance Theater's Jamar Roberts, one of the most riveting of dancers anywhere, is making a new piece for the season that is now in full swing at New York City Center.

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