Career Advice
Quinn Wharton

What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.

So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.

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What Wendy's Watching
Jawole Willa Jo Zollar's Shelter addresses homelessness. Photo by Paul Kolnik, Courtesy Ailey

Just in time for its summer season at Lincoln Center, the dancers and management of Alvin Ailey American Dance Theater have settled their issues surrounding the performers' union contracts. Now that they've reached a new collective bargaining agreement, the dancers can sail into this weeklong season of nine ballets. (Well, maybe not sail, since this is some of the hardest repertory on earth.)


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Career Advice
Pixabay

Whether you're a 2018 grad, a current student or you've been in the field for years, commencement speeches offer advice and encouragement for all of us. And when they're given by dance luminaries, even better. Last Friday, Liz Lerman addressed the class of 2018 at Bennington College, and her inspirational message—that's candid and even comical at turns—left us searching for other choreographers and performers who've spoken to students through the years. Here are a few of our favorite speeches.

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In The Studio
Alvin Ailey American Dance Theater rehearsing Robert Battle's Mass.

In a sun-soaked studio in New York City, Alvin Ailey American Dance Theater prepares for their 21-city North American tour beginning January 30. We caught up with artistic director Robert Battle to discuss his work Mass and how the tradition of modern dance has always been connected to social justice.

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Dance Training
Judith Jamison Workshop Celebrating Alvin Ailey. Photo by Tiba Vieira

When you're offered a chance to take a class with Judith Jamison, you don't say no.

The company's beloved artistic director emerita rarely teaches open classes. But to celebrate the legacy of Alvin Ailey on what would have been his 87th birthday, she gave a special two-hour workshop at the Ailey Extension on Friday night. I had to try it, even though I was desperately hoping that she wouldn't make us do any Horton coccyx balances. (Spoiler alert: She did.)

So what's it like to take class with the larger-than-life icon?

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Dance Magazine Awards
Rennie Harris Puremovement. Photo by Christopher Duggan

Some nights, you head home buzzing with energy. After last night's Dance Magazine Awards, we were dancing with it.

We had the privilege of honoring four legends of our field—Rennie Harris, Marika Molnar, Linda Celeste Sims and Diana Vishneva—in a ceremony that was filled with inspiration and beauty.

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What Wendy's Watching
Jamar Roberts, PC Paul Kolnik

Alvin Ailey American Dance Theater's Jamar Roberts, one of the most riveting of dancers anywhere, is making a new piece for the season that is now in full swing at New York City Center.

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Dance As Activism
Gert Krautbauer, Courtesy AAADT

In 1960, America was in the midst of a social transformation. The Supreme Court had ruled "separate but equal" unconstitutional six years prior, but the country's response was slow and turbulent as desegregation incited violent responses. Surrounded by powerful civil rights momentum, a 29-year-old Alvin Ailey created an ode to the resilience of the human spirit: Revelations.

"Alvin was making a statement about African-American cultural experience, saying, 'Hey, this is who we are, we live here, we were born here,' " says Judith Jamison, artistic director emerita of the Alvin Ailey American Dance Theater. "It was a brave action. Civil rights were roaring, and our protest was our performance."

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Dancers Trending
Delores Brown, photo via mobballet.org

When we're talking about the history of black dancers in ballet, three names typically pop up: Raven Wilkinson at Ballet Russe de Monte Carlo, Janet Collins at New York's Metropolitan Opera and Arthur Mitchell at New York City Ballet.

But in the 1930s through 50s, there was a largely overlooked hot spot for black ballet dancers: Philadelphia. What was going on in that city that made it such an incubator? To answer that question, we caught up with Memoirs of Blacks in Ballet founder (and frequent Dance Magazine contributor) Theresa Ruth Howard, who yesterday released her latest project, a video series called And Still They Rose: The Legacy of Black Philadelphians in Ballet.

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Dance Training
Tiler Peck and Joaquin De Luz in Dances at a Gathering. Photo by Paul Kolnik, courtesy NYCB

All dancers work hard to hone technical skills and master thrilling moves. Musical dancers, however, offer something more. Their daring play with rhythm and their completely present reactions to the score make for bold performances that are mesmerizing to watch.

But how can performers learn to let music drive the dance? We asked some of today's most musical dancers how they do it.

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Popular
Courtesy DM Archives

This July marks Dance Magazine's 90th anniversary, and the milestone gave us the perfect excuse to do one of our favorite things: dive into our extensive archives of more than 1,000 covers.

We couldn't resist sharing just a few of the iconic and quirky images through the decades.

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Popular
American Ballet Theatre dancers arrive in Washington, DC, to protest, 1973. Photo by Louis Peres, Courtesy DM Archives.

It's our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.

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