The stars of "Broad City," along with PrioreDance, do "The Elaine." Photo by Scott Suchman, courtesy The Kennedy Center
How do you honor a comedian lauded for her physical humor and awkward dancing? Commission a contemporary dance, of course. Better yet, have the stars of HBO's "Broad City," Abbi Jacobson and Ilana Glazer—physical comedians and awkward dancers in their own right—star in a contemporary dance.
Last month, comedian Julia Louis-Dreyfus was awarded the 2018 Mark Twain Prize for American Humor at The Kennedy Center. (The ceremony airs tonight on PBS.) Most known for her role as Elaine on "Seinfeld," Louis-Dreyfus has had a long career of tickling funny bones, from her start at Chicago's Second City, then on "Saturday Night Live," CBS's "The New Adventures of the Old Christine" and now as foul-mouthed Vice President Selina Meyer on "Veep."
The "Broad City" gals determined that the best way to honor their idol was to dance, an appropriate choice considering "The Elaine," the dance that became Louis-Dreyfus' piece de resistance on "Seinfeld." (Not to mention her other go-to physical comedy moments as Elaine, like "The Shove"—hands on the chest, forcefully pushing one's companion back, sometimes with the exclamation "Get out!"—or the twitchy forefinger devil horns.)
Xenos, Akram Khan's final full-length solo, is an ode to the soldiers of World War I. Photo by Nicol Vizioli, Courtesy Sadler's Wells
We might have gotten a little bit carried away with this year's "Season Preview"—but with the 2018–19 season packing so many buzzy shows, how could we not? Here are over two dozen tours, premieres and revivals that have us drooling.
If you're like us, your Instagram feed is probably oversaturated with gorgeous dance shots of your favorite performers. (Not complaining!) But search for "#CamerasandDancers," and you'll find dance photography that stands out from the crowd.
#CamerasandDancers in Washington Square Park, PC Dave Krugman (@davekrugman)
Carmen de Lavallade in John Butler's 1964 Catulli Carmina. Photo courtesy DM archives
Carmen de Lavallade will soon be be stepping onstage at the Kennedy Center with quite an eclectic group of artists: musicians Lionel Richie, Gloria Estefan and LL Cool J, and TV writer/producer Norman Lear.
That's because all five have just been selected to receive a 2017 Kennedy Center Honor. A celebration (which will be broadcast on CBS December 26) will celebrate each of their artistic achievements.
Ethan Stiefel in the studio with Royal New Zealand Ballet. Photo by Stephen A'Court, Courtesy RNZB.
Ethan Stiefel's love of motorcycles has been well documented over the years, perhaps most memorably when he played ballet bad boy Cooper Nielsen in the popular 2000 dance movie Center Stage. So it seems fitting that the former American Ballet Theatre star's Harley-Davidson played a role in the creation of his world premiere for The Washington Ballet, which honors the centenary of President John F. Kennedy's birth. New Washington Ballet artistic director Julie Kent called on her longtime ABT colleague for her first commission, Frontier, which premieres May 25–27 at the Kennedy Center Opera House.
Tell us how you and Julie Kent met.
Julie and I first started working together in the late '90s at ABT. I danced some of my first roles and debuts with her. I think my favorite ballet with Julie was Romeo and Juliet. You never forget your first Juliet.
How did she approach you about the Washington Ballet commission?
She contacted me last year in late May and said she wanted me to do a new ballet, specifically one that was connected in some way to President Kennedy. I was obviously very excited, but I needed to take a moment to do some homework, some research. There are many different ways that one could go in making a JFK ballet.
But no matter where you are, you can still catch a taste of the festival. In addition to all the live performances, the Kennedy Center also commissioned a pair of short films by filmmaker (and former Miami City Ballet dancer) Ezra Hurwitz. Both premiered during the opening night celebration on Monday.
Abraham.In.Motion will make their Kennedy Center debut with Kyle Abraham's The Gettin'. Photo by Ian Douglas, Courtesy The Kennedy Center.
Ballet Across America returns to The Kennedy Center this week with a twist: programming curated by American Ballet Theatre principal Misty Copeland and New York City Ballet soloist/resident choreographer Justin Peck. It's a unique opportunity to get inside the heads of two of the most influential figures in American ballet today—so what companies and choreographers did the superstars choose to showcase?