Carla Körbes and Janie Taylor in L.A. Dance Project's livestream from The Chinati Foundation
New York's Metropolitan Opera House seats 3,800 people. Moscow's Bolshoi Theater holds 2,153. When the Royal Ballet hosts a special event in London's massive O2 arena, the dancers perform for a comparatively giant 20,000.
But dancing for more than 200,000 people at a time? That's simply not something most concert dancers are used to.
So when we heard that L.A. Dance Project's series of livestreams over Memorial Day weekend reached more than 500,000 views total, with its most popular stream hitting 211,300 views, it got us thinking. How does that sort of viewership affect a small troupe like LADP? And how does it feel for the dancers to perform for the equivalent of the entire population of Salt Lake City?
Millepied holding up DIY-style cards to introduce the second "episode"
LADP rehearsing Millepied's On The Other Side, photo by Joe Toreno
It's fitting that choreographer Benjamin Millepied named a recent work On the Other Side. After a difficult two-year tenure as artistic director of the Paris Opéra Ballet, he is happily settled in Los Angeles and reemerging with big plans for L.A. Dance Project, the contemporary company he founded there in 2012.
Today, his ambitious vision is redefining what an independent dance company can do: grow into an online dance platform and a lifestyle brand, host a building and performance space, and build an international presence.