RUBBERBANDance Group in Victor Quijada's Vraiment doucement. Photo by Mathieu Doyon, Courtesy Danse Danse
We love The Nutcracker as much as the next person, but that perennial holiday classic isn't the only thing making its way onstage this month. Here are five alternatives that piqued our editors' curiosity.
Marcelo Gomes is creating a new work for United Ballet Theatre's debut. Photo by Michelle Revels, Courtesy Gatti
Without reference to a place or founder, the name United Ballet Theatre evokes a utopian vision for a ballet troupe. In his new Orlando-based company—which has a light launch and a debut performance this month—artistic director Joseph Gatti hopes to create a healthy work environment and offer prestigious programming. But can a brand-new company predicated on its "preserving the artist" tagline grow and thrive past a single summer?
Marcelo Gomes and Victoria Hulland in The Two Pigeons, PC Frank Atura
Sarasota Ballet is returning to New York City's Joyce Theater with a batch of rarely-seen Ashton works. But the big news is that guest artist Marcelo Gomes will be performing with the company. Yes, Gomes is back performing in New York, possibly for the first time since he resigned from American Ballet Theatre in December after an allegation of sexual misconduct.
Gomes is one of the greatest male ballet dancers ever to grace the ABT stage—which he did for 20 years. Watching him dance, it's easy to see why he was every woman's favorite partner: He lavishes attention on his ballerina. The audience can feel his connection and his passion.
Here is my list of favorites from this year, some of them with video clips embedded. I've also added "lingering thoughts" about certain situations in the dance world. As usual, my choices are limited by what I have actually seen. Most of the following are world premieres.
• Andrea Miller's Stone Skipping in the Egyptian room at the Temple of Dendur at the Metropolitan Museum of Art: Ancient and ultra-modern at once, gaga-initiated grapplings, telling many stories of people in struggle and solidarity. The group sequence (with her company Gallim plus dancers from Juilliard) from lying on the floor with pelvis bobbing to standing, to swaying, to skipping wildly about was transcendent.
American Ballet Theatre just announced that principal dancer Marcelo Gomes, who celebrated 20 years with the company this summer, has resigned.
Last Saturday, ABT learned of a "highly concerning" allegation of sexual misconduct by Gomes, related to an incident from approximately eight years ago. A press release from board chairman Andrew F. Barth says that the allegation did not involve any current or former company members, and didn't occur in relation to Gomes' employment with ABT. The company launched an independent investigation, and today, in light of that investigation, Gomes gave his resignation.
We are back at New York City Center for The Red Shoes. Matthew Bourne's sumptuous version sticks with the story told in the wildly popular 1948 film. I have to admit I'm not crazy about the idea that Victoria Page, a beautiful young dancer, must choose between work and love. Plus, it uses ballet, once again in popular culture, as a destructive force. But this production is by Matthew Bourne's New Adventures, so the sets and costumes are (ahem) to die for.
For New Yorkers, a special indulgence: On select nights, New York City Ballet's Sara Mearns plays Victoria Page, and American Ballet Theatre's Marcelo Gomes (a 2015 Dance Magazine Awardee) plays the composer who falls for her.
The Red Shoes is up at NY City Center until Nov. 5. Click here for more information.
Pina Bausch's The Rite of Spring. Photo by Oliver Look, Courtesy Brooklyn Academy of Music.
On the cusp of a new performance season, our calendars are chock full with shows we're dying to see. But it can be hard to know where to start with a season filled to bursting with promising premieres, tours and revivals. We've picked 12 shows that should definitely be on your radar.
But no matter where you are, you can still catch a taste of the festival. In addition to all the live performances, the Kennedy Center also commissioned a pair of short films by filmmaker (and former Miami City Ballet dancer) Ezra Hurwitz. Both premiered during the opening night celebration on Monday.
To hear the screaming throngs of teenagers, you might think this was a Beatles concert in 1964. But no, it's dance students from all over the world joining together for the Youth America Grand Prix's gala at Lincoln Center, excited to see some of the greatest stars in dance today. Their rafter-shaking enthusiasm was heartening to hear, as they will no doubt become the performers, teachers, donors and audiences of tomorrow.
Actually, every single dance was a "best moment." In the first half of the YAGP gala, dubbed the "Stars of Tomorrow," 11 young dancers from the United States, Argentina, Portugal, Czech Republic, Japan and China displayed their outsized talents in solo variations. The young audience responded to the astounding turns and jumps that kept coming and coming.
Tiler Peck and Zachary Catazaro in Wheeldon's "Carousel," all photos Siggul/VAM
Country music isn't the first genre that comes to mind when we think of Marcelo Gomes. Yet the American Ballet Theatre principal and 2015 Dance Magazine Award recipient stars in a beautiful new music video by up-and-coming country singer Lindi Ortega. In it, he dances through the woods of Savannah, Georgia, mostly shirtless. We're told that director John Poliquin plans to release an all-dance version of the video in early 2016. And for this, we're very, very thankful.