Megan Fairchild in Jerome Robbins' Dances at a Gathering. PC Paul Kolnik, Courtesy NYCB
From the minute my journey as a dancer began at age 4, there were no other options of what I might do with my life.
Sure, I tried other "after-school activities." I tried desperately to master The Phantom of the Opera with my squeaky violin rental—a headache for my parents who paid for private Suzuki method lessons at our house. Constantly attempting famous show tunes on my violin, the effort was completely futile. I actually remember thinking, 'Surely this sheet music is wrong, this sounds nothing like the Phantom of the Opera.'
I even tried my hand at gymnastics. But when my mom's brilliant bribery of $100 for my first mastery of a kip or a back handspring didn't produce any results, we quickly threw in the towel.
One of my favorite parts of working with Wendy Perron over the past 12 years has been listening to her talk about dance. More than anyone I know, Wendy can explain a piece of choreography or a dancer's approach in the most visceral, compelling way. She doesn't even always use words—sometimes she turns to sounds or body language to fully describe something she loves.
Having a casual chat with her can be like getting a master class in the most interesting dance going on right now. And as Dance Magazine's editor at large, she sees a lot. She's one of the most well-connected people I know in the dance world, so more often than not she's got juicy insights, strong opinions and fascinating background info.
We decided to share this with you by filming a short video clip each week, capturing Wendy talking about the dance events she's most looking forward to in our new series, "What Wendy's Watching." Or, as she puts it: "Just wind me up and make me talk dance."
We're less than a week away from New York City Ballet's Fall season, and the only people more excited than us might just be the dancers themselves. It officially kicks off on Tuesday, Sept. 19 with Swan Lake, and the dancers have been hard at work perfecting their swan arms. And with some major debuts—Tiler Peck and Megan Fairchild as Odette/Odile and Zachary Catazaro, Gonzalo Garcia and Chase Finlay as Siegfried—there's even more buzz than usual around the ballet classic.
But if you can't wait until the season starts, we've been keeping an eye on the dancers' Instagram accounts for all of the behind-the-scenes action.