Wendy Whelan spoke with Balanchine legends Allegra Kent, Kay Mazzo, Gloria Govrin and Merrill Ashley. Eduardo Patino.NYC, Courtesy NDI
George Balanchine famously wrote, that ballet "is a woman." Four of his most celebrated women—Allegra Kent, Gloria Govrin, Kay Mazzo and Merrill Ashley—appeared onstage at Jacques d'Amboise's National Dance Institute Monday evening to celebrate his legacy. The sold-out program, called "Balanchine's Ballerinas," included performances of excerpts from ballets closely associated with these women and a discussion, moderated by former New York City Ballet principal Wendy Whelan. Here are some highlights of the conversation, filled with affection, warmth and fond memories.
Passing dance history on to the next generation is a bit like handing down the family jewels, says Wendy Whelan, seen here teaching. Photo by Christopher Duggan, courtesy Whelan.
When I was a young dancer in Louisville, Kentucky, my ballet teacher used to speak a lot about Merrill Ashley. She brought neoclassical technique to exquisite new heights under Balanchine, and as a technician, she famously paved the way for today's balletic whiz kids. (Later, when I was a teenager, I was lucky enough to have her as a teacher.) Today, as I travel around the country giving master classes, I often find myself bringing up the names of quintessential American ballerinas, dancers like Merrill. But now, if I mention her name, I can't help but notice my students' eyes widening as they look to each other wondering who exactly this famous ballerina named Merrill is.