Dance History
Wendy Whelan spoke with Balanchine legends Allegra Kent, Kay Mazzo, Gloria Govrin and Merrill Ashley. Eduardo Patino.NYC, Courtesy NDI

George Balanchine famously wrote, that ballet "is a woman." Four of his most celebrated women—Allegra Kent, Gloria Govrin, Kay Mazzo and Merrill Ashley—appeared onstage at Jacques d'Amboise's National Dance Institute Monday evening to celebrate his legacy. The sold-out program, called "Balanchine's Ballerinas," included performances of excerpts from ballets closely associated with these women and a discussion, moderated by former New York City Ballet principal Wendy Whelan. Here are some highlights of the conversation, filled with affection, warmth and fond memories.

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Dancer Voices
Passing dance history on to the next generation is a bit like handing down the family jewels, says Wendy Whelan, seen here teaching. Photo by Christopher Duggan, courtesy Whelan.

When I was a young dancer in Louisville, Kentucky, my ballet teacher used to speak a lot about Merrill Ashley. She brought neoclassical technique to exquisite new heights under Balanchine, and as a technician, she famously paved the way for today's balletic whiz kids. (Later, when I was a teenager, I was lucky enough to have her as a teacher.) Today, as I travel around the country giving master classes, I often find myself bringing up the names of quintessential American ballerinas, dancers like Merrill. But now, if I mention her name, I can't help but notice my students' eyes widening as they look to each other wondering who exactly this famous ballerina named Merrill is.

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