The Creative Process
Mana Hashimoto began training as a dancer before going blind in her early 20s. Photo Fred Hatt, courtesy Hashimoto

Since losing her eyesight due to an undiagnosed optic nerve atrophy, choreographer and performer Mana Hashimoto has dedicated her life's work to exploring how the body exists in space with or without sight.

Trained in ballet, jazz and Graham technique, she has performed all over the world, from her native home in Japan to New York City's Metropolitan Museum of Art and Jacob's Pillow. Hashimoto is also the founder of Dance without Sight, a series of workshops designed to discover movement through touch, sound and smell.

Dance Magazine recently say down with Hashimoto to learn more about her process, and what it's like to be a bridge between the seen and unseen worlds.

Keep reading... Show less
News
Xenos, Akram Khan's final full-length solo, is an ode to the soldiers of World War I. Photo by Nicol Vizioli, Courtesy Sadler's Wells

We might have gotten a little bit carried away with this year's "Season Preview"—but with the 2018–19 season packing so many buzzy shows, how could we not? Here are over two dozen tours, premieres and revivals that have us drooling.

Keep reading... Show less
Dance History
Rambert Dance Company in Nijinsky's Afternoon of a Faun. PC Alice Pennefather

We can all relate to the feeling: You go see a new dance work that you absolutely love, and when you get home, you have no choice but to create a bronze sculpture depicting the performance.

Okay, maybe not. But in 1912, that's exactly what Auguste Rodin did after seeing the premiere of Vaslav Nijinsky's Afternoon of a Faun.

And for a short time, the iconic sculptor's depiction of Nijinsky, as well as his cast plaster for the piece, are on view at the Metropolitan Museum of Art in New York City as part of a Rodin exhibition.

Keep reading... Show less
In The Studio
MBB & Co in Happy Hour. Photo by Mallory Lynn

If you've been following our "In The Studio" series you know that most of our episodes take place in just that—a studio. But at a dress rehearsal for Monica Bill Barnes & Company's latest project Happy Hour, I found myself in what looked like an episode of "The Office" on a day of shooting an after-work party.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox