Chyrstyn Fentroy poses in tendu effacé devant, standing leg in plié. Her gaze is downturned as her épaulement shifts her torso over her working leg, downstage arm extending elegant and long beside her. She wears a pale purple classical tutu over tights and pointe shoes that match her skin tone.

Boston Ballet Principal Chyrstyn Fentroy Steps Into Her Power

Ballet didn’t take center stage for Boston Ballet principal Chyrstyn Fentroy until she was 18. Her late start, and the tenacity that helped her overcome it, would lead to an illustrious career with Dance Theatre of Harlem and Boston Ballet. With her crisp, clear-as-a-bell technique, radiant stage presence and spellbinding command of an audience, Fentroy’s uncertain beginning is difficult to imagine now.

How Can the Dance World Nurture More Effective Artistic Directors?

From the outside, it seemed like the worst of New York City Ballet’s problems were behind them last winter, when ballet master in chief Peter Martins retired amid accusations of abuse and sexual harassment, and an internal investigation did not substantiate those claims. But further troubles were revealed in August when a scandal broke that […]

What Directors Really Think of Ballet Dancers Going To College

In the ballet world, the phrase “going to college” is sometimes regarded as the musings of a dancer who’s not really serious about their craft. Although schools like Juilliard and Bennington College have made degrees acceptable for modern dancers for decades, the competitive ballet world (which often follows a philosophy of “the younger the better”) […]

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