It's not about what you have, but how you use. Photo by Brooke Cagle/Unsplash
From the angles of your feet to the size of your head, it can sometimes seem like there is no part of a dancer's body that is not under scrutiny. It's easy to get obsessed when you are constantly in front of a mirror, trying to fit a mold.
Yet the traditional ideals seem to be exploding every day. "The days of carbon-copy dancers are over," says BalletX dancer Caili Quan. "Only when you're confident in your own body can you start truly working with what you have."
While the striving may never end, there can be unexpected benefits to what you may think of as your "imperfections."
Sara Mearns' #arabesqueseries captures her in the iconic pose as she tours to festivals and galas around the world. Photo via Instagram
For many of today's top dance artists, summer layoff has turned into series of solo tours. We can often catch a peek on their Instagram posts, where their candor about the long hours, sore bodies and early morning flights to and from festivals does nothing to diminish the glamor of leaping through some of the most breathtaking venues. But these summer appearances are a feat of determination.
The dancers themselves meticulously organize these tours. They are in charge of fielding requests aligning schedules and flight itineraries, securing their own costumes and music, and then rehearsing for their guest roles—sometimes with an entirely new partner.
Maria Kochetkova blatantly breaks the not-eating-in-your-Serenade-costume rules with a personal pint backstage. Photo via Instagram
One of the biggest myths about ballet dancers is that they don't eat. While we all know that, yes, there are those who do struggle with body image issues and eating disorders, most healthy dancers love food—and eat plenty of it to fuel their busy schedules.
Misa Kuranaga with Nelson Madrigal in Romeo and Juliet. Photo by Rosalie O'Connor, Courtesy Boston Ballet.
In dance, no two paths look the same, and part of a healthy audition mind-set is accepting that you might not get what you want on the first try. These three dancers who auditioned multiple times for their dream gig share what made the difference in getting to the final cut.
If you love James Whiteside as much as we do, allow us to further fuel your obsession. The ABT principal announced via Instagram that his latest project will be playing the Beast (post-transformation, obv) and choreographing an upcoming extra with Disney Japan's Beauty and the Beast DVD release. While we're still awaiting all of the details, we reached out to Whiteside, who confirmed that he and Boston Ballet principal Misa Kuranaga—who will be dancing Belle—will be recreating the film's ballroom scene.
"I choreographed the pas de deux to a specially arranged piano version of the central theme song, "Tale as Old as Time," and stuck with a very classical ballet structure," Whiteside told us via email. "[I incorporated] moments from the original Disney film, as well as feelings I get while watching classic Disney films. My ballet influences were the very Russian Spring Waters, [Frederick] Ashton's Cinderella and much of Alexei Ratmansky's work."
Each year, the Benois de la Danse selects the best male and female ballet dancer and a top choreographer from an impressive group of international artists. But just because it draws on a worldwide talent pool doesn't mean the names are all unrecognizable. This year's Moscow-based awards highlight the performances of many Dance Magazine favorites—and no less than three former cover stars. Plus, American Ballet Theatre received a nomination in each of the three categories.