Conscientious theatergoers may be familiar with The School for Scandal, TheSchool for Wives and School of Rock. But how many are also aware of the school of Fosse?
The 1999 musical, a posthumous exploration of the choreographic career of Bob Fosse, ran for 1,093 performances, winning four Tonys and 10 nominations; employing 32 dancers; and, completely unintentionally, nurturing a generation of Broadway choreographers. You may have heard of them: Andy Blankenbuehler and Sergio Trujillo danced in the original cast, Josh Rhodes was a swing, and Christopher Gattelli replaced Trujillo when he landed choreography jobsin Massachusetts and Canada. Blankenbuehler remembers that when Trujillo left, "It was as if he was graduating."
She may have ruined the word "ironic" forever, but we can't help loving Alanis Morrisette for channeling all our 90s-era angst. So we were super excited to hear rumors a few years ago that someone was making a musical out of her Grammy-winning album "Jagged Little Pill."
This week we learned even better news: There's serious talent behind the show—and it now has an official opening date of May 5, 2018 at American Repertory Theater.
The 2017–18 Broadway season is just getting underway! But before we look ahead to new productions, let's recall what came before. Here are a few of the sparkliest shows that opened on the Great White Way in previous Augusts.
42nd Street (1980)
The cast of the 2001 revival of 42nd Street performing at the Tony Awards
If you need an example of traditional Broadway-style tap, this couldn't be any closer. The original production of 42nd Street ran for over eight years. That's a lot of time steps.
I have always been extremely dramatic. I think "extremely" might even be an understatement. As a child, I was constantly in costume. Never clothes. Always a costume.
When I was 8 we moved into a new house, and took a home video to send to my dad's family. My siblings were performing a song for the camera. I desperately wanted to join them, but they got annoyed and said no. In the video I run out of the room crying hysterically, and you can hear my dad saying, "It's okay, Sam, you can dance for the camera later."
This is followed by about 45 minutes of me dancing. Music changes, style changes, costume changes, the works. Dance was, and still is, the best way I know how to express myself.
As more and more stars from movies and television get their kicks doing Broadway musicals, more and more choreographers have to find steps for them to dance.
Sometimes it's not hard: Denis Jones discovered that Tony Danza had trained in tap when they worked on Honeymoon in Vegas; Spencer Liff had spent years choreographing for Neil Patrick Harris on TV when they both landed in the Broadway production of Hedwig and the Angry Inch.
Sometimes, it's not easy: Sam Pinkleton worked privately with Josh Groban, the self-proclaimed "world's worst dancer," before starting rehearsals for the wonderfully dance-heavy Natasha, Pierre & the Great Comet of 1812.
PC Richard Hubert Smith
But talk to Stephen Mear about choreographing for Glenn Close in the revival of Sunset Boulevard, running through May 28 at the Palace Theatre, and you get descriptions that are simply starstruck. She's "amazing," "wonderful," "sensational," "brilliant."