PT Elizabeth Harrison works with her former company, Nashville Ballet. Photo by Martin O'Connor Photography, Courtesy Harrison
It's fall 2009, and I'm standing in Andy Blankenbuehler's midtown office where he, Lin-Manuel Miranda and others are working on their next show, Bring It On: The Musical. Already it's clear that Miranda/Blankenbuehler collaborations are just daring enough to be groundbreaking. Blankenbuehler hands me a note scribbled on a page from the script.
In that moment, I realize I've found my place in the dance world—as a writer, telling the stories of the artistic greats.
Camille A. Brown (top) in her BLACK GIRL: Linguistic Play. Photo by Sharen Bradford, The Dancing Image; Courtesy Brown
Compare the gestation of new works across the performing arts and you'll find an ingredient mostly missing in concert dance that's occasionally used in opera and relatively common with plays and musical theater: the preview period. Ranging from a few days to, in the case of Spider-Man: Turn Off the Dark, a record-breaking 182 performances, previews provide extra time for fine-tuning shows after tech and dress rehearsals but before critics can review. (Previews are open to the general public, often at discounted prices.)
Lately, there has been much ado about diversity, equity and inclusion in ballet. While it's clear what increased diversity would look like (having more dancers, teachers, choreographers and administrators of color working in the field), equity and inclusion are a bit more nebulous. Yet Nashville Ballet's new ballet Lucy Negro Redux might give us a glimpse of what inclusion could look like.
Choreographed by artistic director Paul Vasterling, the ballet derives its provocative title from poet Caroline Randell William's book, which explores the woman behind Shakespeare's "Dark Lady" sonnets. Through her research, Williams came to discover that Lucy Negro was in fact an Elizabethan era black brothel owner who enchanted the Bard.
Xenos, Akram Khan's final full-length solo, is an ode to the soldiers of World War I. Photo by Nicol Vizioli, Courtesy Sadler's Wells
We might have gotten a little bit carried away with this year's "Season Preview"—but with the 2018–19 season packing so many buzzy shows, how could we not? Here are over two dozen tours, premieres and revivals that have us drooling.