Dancers are more than just vessels performing set material. We make contributions to creative processes all the time. Some of these are obvious: We often improvise material or generate entire phrases to be incorporated into a work. Others are more innocuous: Dancers are sometimes asked to give feedback that ends up shaping the composition of a work.
On Monday, The New York Times broke a story about ballet that was quickly picked up by other national and international news outlets. Peter Martins, longtime ballet master in chief of New York City Ballet and head of the faculty of the School of American Ballet, has been accused of sexual harassment in an anonymous letter. The dance world may or may not have been surprised by this.
I certainly didn't feel surprise at the news. Writing this on the day that Time magazine has named "The Silence Breakers" of #MeToo "Person of the Year," this story seems of a piece with the many others we've watched in recent weeks with a mixture of horror, relief and vindication as men begin to face consequences for their disregard for the personhood of the women around them.