Molissa Fenley (left) and her dancers in 1985. Photo by Chris Callis, Courtesy DM Archives
In the October 1983 issue of Dance Magazine, we explored the work of then-breakout contemporary artist Molissa Fenley. Having spent the late '70s sending shockwaves through the New York City arts community with her experimental works, she was tapped by Brooklyn Academy of Music to create a new commission for its first-ever Next Wave Festival. She told us, "I don't know if New York was ready for me, but the audiences were ready for some change, for some energy, and for some dancing!" Her voracious yet analytical fusion of cultures, traditions and movement caught the eye of our editors then, and still captivates today. Now 63, Fenley continues to create and perform with the same explosive energy that marked her early career.
Molissa Fenley (left) was commissioned by Brooklyn Academy of Music for its first-ever Next Wave Festival in 1983. Photo by Chris Callis, Courtesy DM Archives
Pina Bausch's The Rite of Spring caused a sensation at the Next Wave Festival in 1984. Photo by Oliver Look, Courtesy Brooklyn Academy of Music
Brooklyn Academy of Music's Next Wave Festival, which contributed to the rise of dance icons like Trisha Brown, Pina Bausch and Bill T. Jones, will be memorialized in print this month. BAM: The Next Wave Festival offers an inside glimpse at the past 35 years.