Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important oneof the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
Noelani Pantastico in David Dawson's Empire Noir. Angela Sterling, Courtesy PNB
Apparently, it all started at a pizza shop in New Hampshire. I was monkeying around, brimming with nervous energy. A stranger approached my mom and said, "You know, you really ought to put her in some dance classes."
James Yoichi Moore and Noelani Pantastico warm up onstage. Angela Sterling, Courtesy SDC.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.
This fall, Dance Magazine followed Noelani Pantastico for a day as she was rehearsing "Emeralds" and performing "Diamonds" in George Balanchine's Jewels. It was the start of the principal's third season back at Pacific Northwest Ballet, returning to the company she grew up in after a seven-year journey dancing with Jean-Christophe Maillot's Les Ballets de Monte-Carlo.
Here are a few of our favorite images and insights from the day:
Tiler Peck and Joaquin De Luz in Dances at a Gathering. Photo by Paul Kolnik, courtesy NYCB
All dancers work hard to hone technical skills and master thrilling moves. Musical dancers, however, offer something more. Their daring play with rhythm and their completely present reactions to the score make for bold performances that are mesmerizing to watch.
But how can performers learn to let music drive the dance? We asked some of today's most musical dancers how they do it.