Every year, the DANCE NOW Festival challenges artists working in various genres to choreograph a clear and complete piece, no longer than five minutes, for the tiny stage at Joe's Pub. But walking into a rehearsal for ZviDance's festival submission,you would never know the company was preparing for a performance in a smaller space.
As dancers Alex Biegelson and Chelsea Ainsworth rehearse an excerpt from Zvi Gotheiner's LIKE, they never shy away from expansive movements, wrappingaround one another and lifting each other off the ground, sometimes upside down. However, Gotheiner and his dancers say they are excited to present the duet in an intimate space, as the audience will have the opportunity to experience the subtle nuances of the pair's onstage relationship.
Boris Charmatz, a favorite choreographer in France for his dancing in museums, has come up with an idea for non-stop dance. In his new piece, 10000 Gestures, each action is different—no repeats. This week, a horde of more than 20 dancers invades New York City's NYU Skirball Center, each of them cramming a thousand gestures into one hour. They seem to be exorcising them—shaking, scratching, jabbing, huddling—as though they can't get rid of them fast enough.
Bucharest National Ballet's 2013 trailer for "La Sylphide,' via YouTube
Few things are more powerful for promoting ballet performances than captivating trailers—especially in today's visually-focused, digitally-connected world.
We've rounded up some eye-catching ads from seasons past and present that not only make us wish we could have seen the show, but also stand alone as short films.
Bucharest National Opera's La Sylphide
Magnifying the scarf which—spoiler alert—brings about the ballet's tragic conclusion, this 2013 Bucharest National Opera's trailer turns that fateful fabric into a beautiful, deadly web. Its windswept movements form a dance of its own.
Danielle Agami in residency at The Center for Ballet and the Arts.
Los Angeles-based choreographer Danielle Agami is taking on a new role in New York City: performer. While her company Ate9 is on a "vacation," she is in residency at The Center for Ballet and the Arts at New York University.
We sat down with Agami to discuss creating her first solo titled framed, which she will perform May 6 at the NYU Tisch School of the Arts, and why she is excited to get back to her company.
Flamenco Vivo Carlota Santana Photo by Christopher Duggan
Inside the Center for Flamenco Arts, you can hear the rattle of castanets and the sounds of Spanish guitar as Flamenco Vivo Carlota Santana works on their upcoming tour of Navidad Flamenca, a holiday show they perform every December in each of the five boroughs of New York City. Their outreach spreads from seniors to children with disabilities and working with young girls and women in empowerment workshops.
Dance is your passion. But it doesn't always pay the bills. So, you get a side hustle. But integrating that side hustle into your life without draining your time and energy for dance is easier said than done. Making it all work together is its own art form.