Amber Gray and the Broadway cast of Hadestown. Photo by Matthew Murphy, Courtesy DKC/O&M
Last night's Tony Awards, (aka James Corden's three-hour attempt to persuade TV-streaming-binge-watchers to put down the remote and see some live theater, for gosh sake) had a bit of everything: wisdom from celebrated actors, cheeky laughs, political quips, historical victories and, our favorite, incredible performances. Unsurprisingly, Tony frontrunner Hadestown took home eight awards, including Best Musical, Best Direction for a Musical and Best Featured Actor in a Musical.
Relive the night with some of our favorite moments from Broadway's big night, in order of appearance.
Amber Gray and the cast of Hadestown. Photo by Helen Maybanks, Courtesy DKC/O&M
The Tony Award nominations were announced yesterday morning, and, as always, they gave us a lot to talk about.
Could Hadestown sweep the awards? Why didn't John Heginbotham's work on Oklahoma! garner him aBest Choreography nomination? What musical numbers will the nominated shows bring to the ceremony on June 9? To discuss, we gathered a group of musical theater–loving editors from Dance Magazine and Dance Spirit for a roundtable conversation about the nominees.
Gabrielle Hamilton in John Heginbotham's dream ballet from Oklahoma! Photo by Little Fang Photo, Courtesy DKC/O&M
The connections dancers make in college are no joke. For recent alum Gabrielle Hamilton, working with guest choreographer John Heginbotham at Point Park University put her on the fast track to Broadway—not in an ensemble role, but as the lead dancer in one of this season's hottest tickets: Daniel Fish's arresting reboot of Oklahoma!
We caught up with Hamilton about starring in the show's dream ballet and her delightfully bizarre pre-show ritual.
Houston Ballet rehearsing Theater Under The Stars' Oklahoma! choreographed by Stanton Welch. Photo by Lawrence Knox
Rodgers & Hammerstein's classic 1943 musical Oklahoma!, now celebrating its 75th anniversary, brought a bounty of firsts: Rodgers and Hammerstein's first collaboration, Agnes de Mille's first dream ballet, the first time that a Broadway choreographer got a credit as a choreographer.