This month's picks include premieres, Little Princes and a principal dancer's farewell that's sure to leave you sobbing. Here are the shows our writers and editors around the country are most excited to catch.
Yuka Oba, Ednis Ariel Gomez Mallol and Connie Flachs in Swing by Olivier Wevers. Photo by Ryan Jackson, courtesy Flachs
"I'm sorry, but I just can't possibly give you the amount of money you're asking for."
My heart sinks at my director's final response to my salary proposal. She insists it's not me or my work, there is just no money in the budget. My disappointment grows when handed the calendar for Grand Rapids Ballet's next season with five fewer weeks of work.
Olivier Wevers is a man with a mission—and a serious love of dance. Earlier this year, Dance Magazine followed the Whim W'Him director though a day of tech rehearsals at Seattle's Cornish Playhouse for our latest episode of Behind the Curtain. While we'd long admired Wevers' choreography, getting up close and personal gave us a whole new respect for the man. Why?
1. He's found the secret to success. Rumor has it that Wevers recently expanded his seven-year-old company from a pick-up troupe to a serious employer for dancers: They were put on payroll as employees (rather than independent contractors), which came with a significant raise and the establishment of a new healthcare fund.
At an audition, PC Kyle Froman
2. He treats his dancers as true collaborators. One of Whim W'Him's annual concerts is curated by the dancers themselves. Called "Choreographic Shindig," the program—playing at Seattle's Erickson Theater September 9-17 this year—includes works from three emerging choreographers that the dancers chose after reviewing around 100 applications.
3. He gives his all. About that "secret to success": Wevers is a plucky, tireless spirit whose life is devoted to his company. In our Behind the Curtain episode, he works from 8 am until midnight, fitting in administrative work at home, cutting dancers' costumes, overseeing rehearsals, giving notes. No, it's not an atypical schedule for a director/choreographer. But he also finds time to extol the talents of the choreographers and dancers he hires while fitting in everything else.
Ah, Seattle real estate
4. He lives in a lake house. And we're very jealous.
5. He's not afraid to admit his shortcomings. A creative workaholic, Wevers admits he has trouble getting rest. "Sleep is rare. It's a big problem for me," he tells us. "And right now when I'm in the theater and I have 16 and a half hour days...shutting down my brain is mission impossible."
6. His choreography looks like it'd feel amazing on your body. His partnering sections in particular have an organic, natural feel to them that never looks forced or awkward. The ooey-gooey twists and turns of his imaginative contemporary work is like candy for dancers. More, please!
Olivier Wevers as a student, photo via whimwhim.org. (Sorry, it was too cute not to share.)