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Rehearsal for Brandenburg Concertos. Photo by Anne Van Aerschot, Courtesy Resnicow and Associates

What do Johann Sebastian Bach and Leonard Bernstein have in common? Not much, save perhaps an enthusiasm for counterpoint and a propensity for pushing the envelope. That, and they've both attracted the interest of Anne Teresa de Keersmaeker, the Belgian choreographer who has always thought of music as her primary partner.

Next week, New York audiences will experience her latest work to Bach, The Six Brandenburg Concertos, at the expansive Park Avenue Armory, featuring a multi-generational cast of 16 dancers plus baroque music ensemble B'Rock.

But next year will bring a far more unexpected project for de Keersmaeker: The Broadway revival of West Side Story, which she will be choreographing alongside Ivo van Hove as director. What sold the contemporary giant on taking on a show so far outside her typical oeuvre? The music, of course.

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FLEXN at Park Avenue Armory. Photo by Stephanie Berger, Courtesy Park Avenue Armory.

FLEXN caused quite a stir when it premiered at Park Avenue Armory in 2015. Pairing opera director Peter Sellars with flex pioneer Reggie "Regg Roc" Gray and members of The D.R.E.A.M. Ring, the work took the Brooklyn-born street dance style to the concert dance stage, using it to create a series of vignettes that openly confronted the social justice issues brought to the fore by the Black Lives Matter movement. Since then, the piece has toured internationally, and the D.R.E.A.M. Ring has coalesced into a group focused on using dance to bring communities together and inspire change.



This week, Gray and The D.R.E.A.M. Ring return to the Armory, where they are artists in residence, with FLEXN Evolution. The updated take on their 2015 work will be performed May 18–21, with a special fundraiser event benefiting the D.R.E.A.M. Ring's community events following the Sunday matinee. (You can also catch a free preview of the work this Tuesday at the Brooklyn Public Library.) We talked to Gray about what's changed in the last two years.

How would you describe flex as a style?

Flexing has different characteristics: bone-breaking, pausing, gliding, get-low, hat tricks. The base is reggae, mixed with bruk-up [a Jamaican style that was popular in dance halls in the '90s].

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