Barak Marshall's Monger, which appears at the Walking Distance Dance Festival this month. Photo by Rose Eichenbaum, Courtesy John Hill PR
A Broadway luminary and a postmodern darling bring their talents to ballet, a music video maven turns to the concert stage, and a contemporary choreographer gets soulful with Aretha Franklin. Our editors' must-sees this May are all about the unexpected.
Marc Crousillat and Amos Machanic in Netta Yerushalmy's Dahpis and Chloe, with designs by Reid & Harriet. Photo courtesy Reid & Harriet
New York-based costume designers Reid Bartelme and Harriet Jung are in high-demand. Though the duo, who together make up Reid & Harriet Designs, work with major choreographers around the world, they're often frustrated with the backseat role that design plays.
So when Guggenheim Works & Process general manager Duke Dang approached them with an idea to create a designer-driven program exploring the creative methods of the Ballets Russes, they were intrigued.
Bartelme and Jung compare colors. Photo by Michael Manata, courtesy Reid & Harriet
Reid Bartelme and Harriet Jung were still students at the Fashion Institute of Technology when their first joint commission came along: Creating the costume for a Fall for Dance piece Andrea Miller choreographed on Drew Jacoby. The pair officially joined forces in 2011, forming their eponymous label and building a resumé that includes designing for American Ballet Theatre, New York City Ballet and Miami City Ballet. Reid & Harriet Design's success lies in their ability to mix bold colors and unique textures with an innate understanding of what dancers need to perform comfortably.