I started writing about dance in the mid-2000s. I won’t say that the state of professional arts journalism was exactly sanguine at the time, but as I remember it now, it was at least possible to think of arts journalism as a profession with a future. I had lots of senior colleagues then, people I […]

We all know the internet has overhauled traditional dance criticism, giving anyone with an opinion and a wifi connection the ability to share their thoughts, no matter how informed—or not—those thoughts might be. But should those who take part in a ballet have their say as well? Last week, writer Hanna Weibye reviewed a Royal […]