Misty Copeland on the set of The Nutcracker and The Four Realms. Photo courtesy Disney
Back in January, we took a look at Hollywood's 2018 dance card. While Red Sparrow and the Tiler Peck documentary Ballet Now have been released, several other films that piqued our curiosity are still in various stages of development. (And some have been radio silent, like the Carmen being helmed by Benjamin Millepied.) From Misty Copeland to Carlos Acosta, new trailers to first looks, here's the latest on the dancing we might just see on the big screen later this year.
Oleg Ivenko and Ralph Fiennes on the set of The White Crow, an upcoming feature film dramatizing Rudolf Nureyev's defection. Photo via variety.com
Oh, Hollywood. In any given year, Tinseltown's use of dance in film veers from the woefully disappointing to the surprisingly delightful, but one thing's for certain: It's rarely boring. Here's our not-at-all-comprehensive and completely-subject-to-change list of the new dance-related movies coming soon to a theater (or laptop screen) near you.
Photo by Het Muziektheater/Eduard van Beinum Stichting, Courtesy DM Archives
To celebrate our 90th anniversary, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
We'd love to know what it is that has Pina Bausch, Rudolf Nureyev and Gerard Violette so amused, or what Toer van Schayk (far right) is thinking here, but one thing's for certain: We're terribly envious of the journalist (second from right) who got to be there when this shot was taken in 1986.
Rudolf Nureyev, 1976. Photo by Marcel Fugère, Courtesy DM Archives.
As Wendy Perron wrote in our July issue, "Any new work coming from the Bolshoi Ballet is big news." So naturally, the news that the premiere of its highly anticipated new ballet will not happen as scheduled is even bigger. The Bolshoi announced on its website Saturday that performances of Nureyev, set to begin tomorrow (Tuesday, July 11) in Moscow,will be replaced with Don Quixote. Today, the theatre held a press conference at which it was clarified that the ballet had not been canceled, but postponed until May 2018. The official reason given: The ballet is not yet ready.
The announcement appeared on the Bolshoi website Saturday.
Photo by British Broadcasting Corporation and Polunin Ltd., Courtesy Sundance Selects.
Sergei Polunin has a penchant for unexpectedly bursting into the news. Since DANCER, a feature-length documentary that proved to be a sympathetic portrait of ballet's favorite bad boy, he's been increasingly visible, popping up everywhere from "So You Think You Can Dance?" to Sadler's Wells. So what's the international star got next on his dance card?
Teaching a Master Class
Some very lucky ballet students will be taking class with Polunin at Danceworks London on July 18. (It's currently sold out, but interested students can add their names to a wait list.) It was announced this spring that Polunin would team up with the studio for a scholarship to its summer dance program, the Sergei Polunin Inspiration Scholarship, which has since been awarded to two young dancers.
Mark Morris Dance Group is plenty busy this month, headlining Luminato, Toronto’s annual arts festival, with Morris’ masterwork L’Allegro, il Penseroso ed il Moderato in its Canadian premiere June 21–23. Morris directs this year’s Ojai Music Festival (the first choreographer to do so), where his dancers will perform; and at Ojai North!, a collaboration with Cal Performances in Berkeley, MMDG will premiere Morris’ Rite of Spring, danced to a new arrangement of Stravinsky’s music by The Bad Plus jazz trio. www.luminato.com and www.ojaifestival.org.
MMDG in L’Allegro, il Penseroso ed il Moderato. Photo by Elaine Mayson, Courtesy Luminato.
Adventures in Action
Two daring dancemakers return to this year’s Festival TransAmériques in Montreal. Lemi Ponifasio brings Birds with Skymirrors, in which frenetic limbs contrast with intense stillness. At 54, the indomitable Louise Lecavalier performs So Blue, a whirlwind solo and duet for which she receives her first sole choreographic credit. May 29–June 7. www.fta.qc.ca.
Lecavalier in So Blue. Photo by André Cornellier, Courtesy FTA.
Feast for 40
This year marks John Neumeier’s 40th anniversary at the helm of Hamburg Ballet. To celebrate, the company has expanded its annual summer festival Hamburg Ballet-Days. HB will dance in 16 productions over the three weeks, joined by its school and two guest troupes led by former company dancers: Ivan Liska of Bavarian State Ballet and Jean-Christophe Maillot of Les Ballets de Monte-Carlo. While companies all over the world have been feting the centennial of The Rite of Spring, Neumeier, whose personal collection of Nijinsky memorabilia is legendary, has dedicated several evenings to his idol/muse. June 9–30. www.hamburgballett.de.
Neumeier rehearsing Carsten Jung in his Liliom. Photo by Holger Badekow, Courtesy HB.
Swiftly but Gently
A free series of site-specific performances around San Francisco, presented by Dancers’ Group/ONSITE, honors a local pioneer this month. Amara Tabor-Smith, a former associate artistic director of Urban Bush Women who now directs Oakland-based Deep Waters Dance Theater, pays tribute to her mentor, choreographer Ed Mock, an AIDS casualty in the 1980s. June 15–23.www.dancersgroup.org.
Amara Tabor-Smith. Photo by Alan Kimara Dixon, Courtesy Tabor-Smith.
Twenty years after his death (and 75 after his birth), Rudolf Nureyev’s impact on ballet is still felt worldwide. Tributes to the unrelentingly charismatic star have been happening all year, and this summer brings still more. In addition to a gala at the Vienna State Opera Ballet at the end of the month and a production of his Swan Lake at Teatro alla Scala later this summer, Le Palais des Congrès de Paris hosts the Noureev and Friends gala May 31–June 1. The fabulous lineup of today’s stars come from companies like the Bolshoi (Obraztsova), the Mariinsky (Kondaurova and Somova), and English National Ballet (Rojo). www.viparis.com.
Nureyev in costume for Don Quixote. Photo by Serge Lido, DM Archives.
Three enduring goddesses of downtown dance—Sara Rudner, Vicky Shick, and Jodi Melnick—come together at The Yard June 22–30. Each one alone is glorious to behold, but together they’ll be an irresistible pileup of brainy female sensuality. Also on the agenda at Martha’s Vineyard’s largest dance festival: Faye Driscoll (see “Word Play,” April), Doug Elkins, Everett Dance Theatre, and Deborah Lohse (see “Nine Who Dared,” Nov. 2012). Without a doubt, The Yard, now helmed by former DTW chief David White, is undergoing a major revitalization.www.dancetheyard.org.
Melnick. Photo by Matthew Karas.
Forsythe: Former and Future
William Forsythe’s approach to ballet technique was revolutionary in the 1980s. His style is still often imitated, never matched. In recent years, with his own Forsythe Company, he has moved into the realm of dance theater—where whimsy and crazily delicious dancing play equal roles. His latest piece, which comes to Sadler’s Wells this month, aims to cover it all. Study #3 incorporates movement sequences, choreographic methods, music, costumes, and technical effects from 30 works spanning the last 30 years. www.sadlerswells.com.
The Forsythe Company in Study #3. Photo by Dominik Mentzos, Courtesy Sadler’s Wells.
Contributors: Suzannah Friscia, Wendy Perron, Kina Poon