Precious Adams performing Harlequinade pas de deux for English National Ballet's Emerging Dancer competition 2018. Photo by Laurent Liotardo via ballet.org.uk
Recently, English National Ballet first artist Precious Adams announced that she will no longer be wearing pink tights. With the support of her artistic director Tamara Rojo, she will instead wear chocolate brown tights (and shoes) that match her flesh tone.
It may seem like a simple change, but this could be a watershed moment—one where the aesthetics of ballet begin to expand to include the presence of people of color.
Samrawit Saleem, photo by Angela Sterling, via PNB
Two questions I'm often asked as an advocate for diversity in ballet are, "Do you think ballet organizations are genuine?" and, "Do you think it's changing?"
Quite honestly, there are times when I am not so certain. Then there are days when I get texts and Facebook messages alerting me to a story that reinforces my belief that ballet might just be shifting.
One such moment was in late November when Andrea Long-Naidu texted me the image of Pacific Northwest Ballet's Clara, Samrawit Saleem. There she was, seated on the floor in her party dress, gazing down lovingly at her Nutcracker with an elegant use of épaulement. Andrea called me, "Theresa, she's gorgeous, she's brown and look at her hair!!" She was referring to Saleem's double strand twists that were styled half-up half-down. My mouth was agape.