Nathan Sayers

It's one thing to understudy three different demanding principal roles in one show. But sometimes, Sasha Hutchings has to perform them all in one day.

Hutchings, a Broadway dancer who originated an ensemble role in Hamilton and was recently seen in "Fosse/Verdon," understudies both Laurey and Ado Annie in the current Broadway revival of Oklahoma!—plus the lead dancer, who performs the 13-minute dream ballet practically solo. Though she hasn't performed the dream ballet yet, she rehearses it every Friday, right before rehearsing the whole show as either Ado Annie or Laurey, then sometimes performing one of those roles in the evening show.

"As soon as I'm done rehearsing the dream ballet, I have to let that fade in order to fully immerse myself in Laurey," she says. "And if I ran Laurey earlier in the day and I'm watching her scene as Ado Annie, I have to let go of her lines. Once you start going down the thought pattern of that character, it takes you to a whole other place."

We talked to Hutchings about the mental and physical gymanstics of understudying three such distinct roles—and how her dance training helps her do it:

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