Just for Fun
The Washington Ballet's Brittany Stone. Photo by Jim Lafferty for Pointe.

While we love fall's crisp air, pumpkin spice treats, and, of course, the official start of the ballet season, there are some downsides. Cooler weather means that unfortunately it's no longer practical to throw on shorts over your leotard and pretend it's a shirt. Does the thought of putting together outfits for autumn stress you out? Don't worry—we've got you covered. We've pulled some of our favorite dancers' street styles from past issues of Pointe to give you the fall fashion inspiration that you're looking for.

Miami City Ballet Principal Simone Messmer

Kyle Froman for Pointe

Simone Messmer's ensemble points out the biggest difference between summer and fall: Jackets! And not heavy, practical winter parkas, but fun, light jackets with the power to instantly transform any outfit. Messmer's selection comes with quite a bit of history; it's her best friend's father's army trench. We also love Messmer's slip-on shoes; they're a reminder to wear all of your favorite no-socks-necessary shoes this season before the snow starts to fall.

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Joan Marcus

Conscientious theatergoers may be familiar with The School for Scandal, The School for Wives and School of Rock. But how many are also aware of the school of Fosse?

The 1999 musical, a posthumous exploration of the choreographic career of Bob Fosse, ran for 1,093 performances, winning four Tonys and 10 nominations; employing 32 dancers; and, completely unintentionally, nurturing a generation of Broadway choreographers. You may have heard of them: Andy Blankenbuehler and Sergio Trujillo danced in the original cast, Josh Rhodes was a swing, and Christopher Gattelli replaced Trujillo when he landed choreography jobs in Massachusetts and Canada. Blankenbuehler remembers that when Trujillo left, "It was as if he was graduating."

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Andrew Eccles via Cole Haan

These New York City Ballet dancers (especially the high-spirited Amar Ramasar) capture exactly how we feel on a summer Friday.

Andrew Eccles via Cole Haan

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