Popular
Gabrielle Hamilton in John Heginbotham's dream ballet from Oklahoma! Photo by Little Fang Photo, Courtesy DKC/O&M

Here are the latest promotions, appointments and transfers, plus notable awards and accomplishments from the last month.

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Popular
Photo by Jayme Thornton

In a studio high above Lincoln Center, Taylor Stanley is rehearsing a solo from Jerome Robbins' Opus 19/The Dreamer. As the pianist plays Prokofiev's plangent melody, Stanley begins to move, his arms forming crisp, clean lines while his upper body twists and melts from one position to the next.

All you see is intention and arrival, without a residue of superfluous movement. The ballet seems to depict a man searching for something, struggling against forces within himself. Stanley doesn't oversell the struggle—in fact he's quite low-key—but the clarity with which he executes the choreography draws you in.

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Rant & Rave
Taylor Stanley revealed a whole new side of his talent in Kyle Abraham's The Runaway. Photo by Paul Kolnik

Ever since I saw it last week, Kyle Abraham's The Runaway for New York City Ballet has been haunting me.

Of course, it was a big deal that the interim leadership team (specifically Justin Peck) asked Abraham to choreograph on the company, marking the first time in more than a decade that NYCB has hired a black choreographer. But what struck me most was not the symbolism of the commission. Or even the experience of hearing Kanye West blasted at Lincoln Center, for that matter. It's what Abraham did with Taylor Stanley that I haven't been able to stop thinking about.

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What Wendy's Watching
Gretchen Smith, Jared Angle and Sara Mearns in NEW BODIES.

The Guggenheim Museum's Works & Process series is where dance artists show what they are working on and talk about it.

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