Irina Dvorovenko with Tony Yazbeck in The Beast in the Jungle. Photo by Carol Rosegg, Courtesy Sam Rudy Media Relations.
Some people take this profession as just a chapter of their life. They feel like dance is a job—a fun job, but a job. Other people live their life through dance. I never considered being a ballerina a profession. It's a lifestyle.
If I don't have a performance, I feel like a tiger trapped in a cage. I have so many emotions, I feel I need to give them to somebody, to exhaust myself—I need to cry or laugh, or else it's suffocating. Other people might scream or throw bottles into the wall. We dancers scream onstage through our movement. For me, it's like sweeping off the dust in my soul.
Tony Yazbeck plays the tormented John Marcher in The Beast in the Jungle. Photo by Carol Rosegg, Courtesy Sam Rudy Media Relations.
With his debonair charm and fluent feet, Tony Yazbeck seems built for ebullient men like Gabey in On the Town, who earned him a 2015 Tony nomination. But he's riding high at the moment dancing nervous breakdowns. First, there was his fierce, knife-edged tapping in Prince of Broadway, which just won him a Chita Rivera Award. (Full disclosure: I'm a juror.) Now he's giving a tour-de-force performance as a restless womanizer in The Beast in the Jungle, having its world premiere at the off-Broadway Vineyard Theatre through June 24. Both were choreographed for him by Susan Stroman.