"New York City Ballet star appears in a Keanu Reeves action movie" is not a sentence we ever thought we'd write. But moviegoers seeing John Wick: Chapter 3 – Parabellum will be treated to two scenes featuring soloist Unity Phelan dancing choreography by colleague Tiler Peck. The guns-blazing popcorn flick cast Phelan as a ballerina who also happens to be training to become an elite assassin. Opens in theaters May 17.
Earlier this week, New York City Ballet principal Tiler Peck gave us some major onstage makeup inspiration while attending an offstage event. While walking the red carpet at the CFDA/Vogue Fashion Fund gala, Peck's beauty look was still perfectly suited for the ballet with her top knot hairstyle and stage-worthy red lip. Peck's makeup artist for the night, Daniel Duran, shared his exact breakdown on the look, working exclusively with beauty brand Chantecaille. So, whether you're in need of a waterproof brow pencil, volumizing mascara or long-lasting red lip this Nutcracker season, we've got you covered.
As the fall performance season kicks into high gear, we've been cramming as much excellent dance on our calendars as possible. But if you're feeling overwhelmed by all the options, we've got you covered: From rare U.S. appearances by one of our 2018 "25 to Watch" to an autumn mainstay for New Yorkers, Romeo and Juliet to The Handmaid's Tale, here's what caught our eye.
We'll admit it: As excited as we are for fall performance season to start, we are in deep, deep denial that the end of summer is in sight. And we're also experiencing some serious FOMO looking at the vacation photos flooding our Instagram feeds from some of our favorite dancers and choreographers. So where in the world do they go to unwind before gifting us with yet another season of incredible dance?
Last week, Dance Magazine's owner Frederic Seegal visited the Vail Dance Festival. He was so excited by what he saw there that he wanted to share with Dance Magazine readers a few of the highlights that made the biggest impression on him.
Having been fortunate enough to be on the board of New York City Center when Arlene Shuler introduced Fall for Dance in 2004, I never thought that I would see anything that could rival its inventiveness, assemblage of talent and audience enthusiasm. That is, until this week when I spent fours days at the Vail Dance Festival.
We're deep in the lazy, hazy days of summer—and there's no better time to kick back, relax, and watch one of the many dancetastic movies that've come out recently. Which should you add to your queue? Here are eight must-watches.
Tiler Peck is coming to Hulu. Fans everywhere can catch her new documentary, called Ballet Now, starting on July 20. But Seattle residents will get a sneak peek at the Seattle International Film Festival starting tonight.
The film follows the New York City Ballet principal during her time directing the BalletNOW series at The Music Center in Los Angeles last July. And it's got some legit names behind it: The director is Steven Cantor, who's mostly known in ballet circles for directing Sergei Polunin's DANCER. And the producers include Paul G. Allen's Vulcan Productions, Cantor's Stick Figure Productions and none other than actress Elisabeth Moss, who stars in Hulu's hit "The Handmaid's Tale."
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In a windowless subterranean studio under the New York State Theater, I pulled back an imaginary arrow and let it fly.
"Good!" said ballet master Tommy Abbott. "I think you're ready. Tomorrow you rehearse with Mr. Robbins."
I was slated to play Cupid in Jerome Robbins' compilation of fairy tales called Mother Goose. It was a role given to the tiniest boy who could follow directions at the School of American Ballet. In 1976, that was me.
The following day, I reported to a much larger windowless studio on the fifth floor known as the main hall. The room was bristling with excitement and nervousness. About half of the dancers from New York City Ballet were on hand, plus a coterie of bustling ballet masters and Mr. Robbins. Tommy tucked me and two other boys in a corner. My first rehearsal with the legendary choreographer was underway.
Oh, Hollywood. In any given year, Tinseltown's use of dance in film veers from the woefully disappointing to the surprisingly delightful, but one thing's for certain: It's rarely boring. Here's our not-at-all-comprehensive and completely-subject-to-change list of the new dance-related movies coming soon to a theater (or laptop screen) near you.
Here is my list of favorites from this year, some of them with video clips embedded. I've also added "lingering thoughts" about certain situations in the dance world. As usual, my choices are limited by what I have actually seen. Most of the following are world premieres.
• Andrea Miller's Stone Skipping in the Egyptian room at the Temple of Dendur at the Metropolitan Museum of Art: Ancient and ultra-modern at once, gaga-initiated grapplings, telling many stories of people in struggle and solidarity. The group sequence (with her company Gallim plus dancers from Juilliard) from lying on the floor with pelvis bobbing to standing, to swaying, to skipping wildly about was transcendent.
Some nights, you head home buzzing with energy. After last night's Dance Magazine Awards, we were dancing with it.
You know you've got something going for you when stars from New York City Ballet and American Ballet Theatre—plus our favorite celebrity dance fan, Jennifer Garner—are all fangirling about you on Instagram.
The man of the hour is Nick Palmquist, a choreographer and teacher who can often be found dishing out irresistibly sultry commercial jazz combos at New York City's Steps on Broadway. (You may have also heard of his boyfriend, ABT star Marcelo Gomes.)
New York City Ballet's Tiler Peck is pretty much unstoppable. In addition to her full schedule with NYCB, Peck has danced on Broadway, in a music video, and, she even has her own documentary in the works. What else could she possibly have left to accomplish in the ballet world? An appearance on "The Ellen DeGeneres Show," of course.
By now, we've come to expect the usual celebrity set like Sarah Jessica Parker and Katie Holmes at big nights in ballet like the New York City Ballet and American Ballet Theatre galas. But actress Jennifer Garner just proved she might be ballet's biggest celeb fan yet with her new "Tutu Tuesday" posts on Instagram.
Putting her "instastalking knowledge" to work as she calls it, Garner decided to highlight NYCB's Tiler Peck as her first "Tutu Tuesday" feature, sharing a clip of her and Amar Ramasar dancing in Justin Peck's The Times Are Racing.
You're definitely going to want to listen with the sound on for Garner's hilarious narration (and scroll over to see her amazing Photoshop skills at work in a pic of Swan Lake).
We're less than a week away from New York City Ballet's Fall season, and the only people more excited than us might just be the dancers themselves. It officially kicks off on Tuesday, Sept. 19 with Swan Lake, and the dancers have been hard at work perfecting their swan arms. And with some major debuts—Tiler Peck and Megan Fairchild as Odette/Odile and Zachary Catazaro, Gonzalo Garcia and Chase Finlay as Siegfried—there's even more buzz than usual around the ballet classic.
But if you can't wait until the season starts, we've been keeping an eye on the dancers' Instagram accounts for all of the behind-the-scenes action.
If you're like us, your Instagram feed is probably oversaturated with gorgeous dance shots of your favorite performers. (Not complaining!) But search for "#CamerasandDancers," and you'll find dance photography that stands out from the crowd.
#CamerasandDancers in Washington Square Park, PC Dave Krugman (@davekrugman)
We've known for a while now that New York City Ballet principal Tiler Peck can do anything. She tackles everything in the NYCB rep—from "Emeralds" to Aurora to Justin Peck—with precision and pizzazz. And, we recently found out that she's kinda an amazing tap dancer:
All dancers work hard to hone technical skills and master thrilling moves. Musical dancers, however, offer something more. Their daring play with rhythm and their completely present reactions to the score make for bold performances that are mesmerizing to watch.
But how can performers learn to let music drive the dance? We asked some of today's most musical dancers how they do it.