What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.
Barak Marshall's Monger, which appears at the Walking Distance Dance Festival this month. Photo by Rose Eichenbaum, Courtesy John Hill PR
A Broadway luminary and a postmodern darling bring their talents to ballet, a music video maven turns to the concert stage, and a contemporary choreographer gets soulful with Aretha Franklin. Our editors' must-sees this May are all about the unexpected.
Trey McIntyre Project's farewell performance at Jacob's Pillow. Photo by Christopher Duggan.
"The art was telling me that things had to change. And they had to change big. Something I created needed to die off. When the company was at its height, when it was at its most successful, I closed it down."
These puzzling words are spoken by choreographer Trey McIntyre in Gravity Hero, his new documentary, which unpacks the rise and fall of his wildly successful dance company, Trey McIntyre Project. When he disbanded the troupe in 2014, the dance world couldn't quite wrap their heads around it. Why stop when you're touring 22 weeks a year? Why stop when you've done the seemingly impossible by creating a thriving company in the dance desert of Boise, Idaho?
Cathy Marston is one of a dozen choreographers premiering a new work for San Francisco Ballet during the festival. Photo by Erik Tomasson, Courtesy SFB
The ballet world will converge on San Francisco this month for San Francisco Ballet's Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events.
"Ballet is going through changes," says artistic director Helgi Tomasson. "I thought, What would it be like to bring all these choreographers together in one place? Would I discover some trends in movement, or in how they are thinking?"