Jacques d'Amboise and Tanaquil Le Clercq at the 1967 launch of The Ballet Cook Book. Photo by Martha Swope for Dance Magazine.

Cooking with "Tanny" Le Clercq: Works & Process Celebrates The Ballet Cook Book

When people think of Tanaquil Le Clercq, one of George Balanchine's early muses (and wives), they're probably more likely to ruminate on the polio diagnosis that ended her performing career than her literary and culinary legacy. This is the perception that food scholar Meryl Rosofsky is looking to shift with a Works & Process at the Guggenheim program November 5 and 6 celebrating the 50th anniversary of Le Clercq's The Ballet Cook Book.

Full of recipes from the major ballet stars of her day (including choreographers such as Sir Frederick Ashton and Léonide Massine), The Ballet Cook Book stretches beyond the trappings of the genre to include anecdotes about the dancers who contributed, providing snapshots of the artists who defined the era. Balanchine in particular is revealed to be an avid cook in the 28-page section devoted to his Russian-style recipes. Through it all, Le Clercq's personality and sparkling humor shine, such as in her introduction to her Celery Root Soufflé recipe, which reads, "Soufflés fall and so do dancers, and both survive: the main thing is to forget it."

The official launch of the book in 1967 included a signing event at Bloomingdale's that was attended by New York City Ballet stars (and contributors) Jacques d'Amboise, Allegra Kent and Melissa Hayden, who also cooked one of her recipes on site for attendees to sample. An article documenting the event appeared in the November 1967 issue of Dance Magazine alongside a two-page excerpt—part of what sparked Rosofsky's interest in the Cook Book.

For the Works & Process event, d'Amboise and Kent will join Rosofsky and current NYCB dancers Jared Angle and Adrian Danchig-Waring (both avid foodies) for a conversation about NYCB's culinary culture and Le Clercq's legacy. NYCB dancers will also perform excerpts from ballets originated by Le Clercq and other contributors to the Cook Book, such as Balanchine's The Four Temperaments and Stars and Stripes, giving Le Clercq her just desserts as a dancer, and a writer, and a food lover.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.