Sir Anthony Dowell and Dame Antoinette Sibley in The Sleeping Beauty

Courtesy DM Archives

#TBT: Antoinette Sibley on the "Magic" Behind Her Epoch-Defining Partnership With Anthony Dowell

When Dame Antoinette Sibley graduated into The Royal Ballet in 1956, she was the first English dancer to have come up through both White Lodge and the Upper School. This quiet accomplishment presaged Sibley's becoming arguably the quintessential English ballerina of her generation.

In a studio, Antoinette Sibley, wearing a t-shirt and long skirt over standard ballet practice clothes, piques to arabesque en pointe with her back to the camera, Mikhail Baryshnikov balancing her at the waist.

Sibley danced opposite Mikhail Baryshnikov in The Turning Point.

Courtesy DM Archives

Sir Frederick Ashton created the role of Titania in The Dream on her in 1964, casting her opposite Sir Anthony Dowell and thereby launching an epoch-defining partnership. "My feelings about dancing, and about dancing with Anthony, are difficult to put into words," Sibley told us in the April 1970 issue of Dance Magazine. "To me, a great deal in life is magical, and one accepts the magic, while knowing that, really, one has not earned it, perhaps does not deserve it. I work hard; I have the dancer's discipline; but I'm afraid I've never been terribly ambitious for myself. But working with Anthony has clarified and strengthened dance for me. I dance in a different state of mind now than I danced when I was beginning in the company. I know all this but it is impossible to explain how and why. When we dance, Anthony and I, we feel rather special together."

In the course of her long career (she retired temporarily from 1981–83 and fully in 1988), Sibley originated numerous roles, including the title role in Sir Kenneth MacMillan's Manon, and danced opposite Mikhail Baryshnikov in The Turning Point. She continues to guest coach for The Royal Ballet.

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Photo by Ernest Gregory, Courtesy Fleming

How This Tap-Dancer-Turned-Composer Stays True to His Jazz Roots

From Riverdance to HBO's "Boardwalk Empire," tap dancer DeWitt Fleming Jr. has proved to be a triple threat on the stage and screen. He's also an entrepreneur, selling his own line of wireless microphones, DeW It Right Tap Mics. Last year, he added "composer" to his resumé with the release of Sax and Taps INTERSPLOSION!, the first tap dance and jazz album recorded at Jazz at Lincoln Center's Dizzy's Club. One of the songs, co-written with jazz saxophonist Erica von Kleist, was a finalist for last year's Unsigned Only music competition.

"When you're invited to dance with a jazz band, it's always assumed that, as a tap dancer, you're going to be a feature. If you go all the way back to New Orleans' Congo Square, and even before then, dance was a part of the music. I wanted to stick to those roots and create an album where everything was intertwined."

He recently spoke with Dance Magazine about his collaboration with von Kleist and the creation of their album.

January 2021