Sir Anthony Dowell and Dame Antoinette Sibley in The Sleeping Beauty

Courtesy DM Archives

#TBT: Antoinette Sibley on the "Magic" Behind Her Epoch-Defining Partnership With Anthony Dowell

When Dame Antoinette Sibley graduated into The Royal Ballet in 1956, she was the first English dancer to have come up through both White Lodge and the Upper School. This quiet accomplishment presaged Sibley's becoming arguably the quintessential English ballerina of her generation.

In a studio, Antoinette Sibley, wearing a t-shirt and long skirt over standard ballet practice clothes, piques to arabesque en pointe with her back to the camera, Mikhail Baryshnikov balancing her at the waist.

Sibley danced opposite Mikhail Baryshnikov in The Turning Point.

Courtesy DM Archives

Sir Frederick Ashton created the role of Titania in The Dream on her in 1964, casting her opposite Sir Anthony Dowell and thereby launching an epoch-defining partnership. "My feelings about dancing, and about dancing with Anthony, are difficult to put into words," Sibley told us in the April 1970 issue of Dance Magazine. "To me, a great deal in life is magical, and one accepts the magic, while knowing that, really, one has not earned it, perhaps does not deserve it. I work hard; I have the dancer's discipline; but I'm afraid I've never been terribly ambitious for myself. But working with Anthony has clarified and strengthened dance for me. I dance in a different state of mind now than I danced when I was beginning in the company. I know all this but it is impossible to explain how and why. When we dance, Anthony and I, we feel rather special together."

In the course of her long career (she retired temporarily from 1981–83 and fully in 1988), Sibley originated numerous roles, including the title role in Sir Kenneth MacMillan's Manon, and danced opposite Mikhail Baryshnikov in The Turning Point. She continues to guest coach for The Royal Ballet.

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CalArts dance students. Photo by Josh S. Rose, Courtesy CalArts

4 Reasons Interdisciplinary Education Can Make You a Stronger Dancer, According to CalArts

After years spent training in their childhood studio, it can be hard for dancers to realize exactly how many pathways there are toward career success. The School of Dance at CalArts aims to show its students all of them.

Built with the intention to break barriers and bend the rules, CalArts' interdisciplinary curriculum ensures that students take classes that cover an entire spectrum of artistic approaches. The result? A dance program that gives you much more than just dance.

Last week, Dance Magazine caught up with Kevin Whitmire, assistant director of admission for CalArts School of Dance, and recent alum Kevin Zambrano for the inside scoop on how an interdisciplinary curriculum can make you a stronger artist. Watch the full event below, and read on for the highlights.

July 2021