In the November 1954 issue of Dance Magazine, we shared excerpts from an autobiographical essay written by Galina Ulanova. Reflecting on her memories of performing small roles as a self-professedly reluctant ballet student, she wrote, "Belief comes so easily in childhood. And what a pity it is that this belief in what is happening on the stage...is so difficult to preserve afterwards, and that one has to work so hard, sometimes so painfully, before one can 'get into the skin' of a role and believe in it so utterly that the audience will believe in it too. Yes, in part my 'performances' of those days were the playing of a child who believes in its imagination more than it does reality." Arguably the first great ballerina of Soviet Russia, she danced with both the Kirov and the Bolshoi, touring with the latter across Europe and to the U.S. to great popular acclaim.
When COVID-19 forced the Dance for PD program at Mark Morris Dance Center to discontinue in-person classes on March 15, it was done with the same uncertainty that we all felt going into lockdown. How long will this last? How can we keep dancing?
Dance for PD, which uses movement to help those living with Parkinson's, was also faced with the question of how they could continue to serve a highly vulnerable population. What they found were solutions that will forever change the way that they serve their community.
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"If the world was a bunch of people sitting in a room, and you raise your hand, then you better have something interesting to say," says our February cover star @rajafeatherkelly. "I want to raise my hand." 📷: Jayme Thornton (@jaymethornton)
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