What Makes the Dance Magazine Awards So Uplifting
Some nights, you head home buzzing with energy. After last night's Dance Magazine Awards, we were dancing with it.
Joshua Culbreath in Doubt & Dolo. Photo by Christopher Duggan.
The night opened with an incredible performance by Rennie Harris Puremovement in The Word, plus Doubt & Dolo, a gripping solo that Harris said he choreographed for his mother, who had just passed.
Harris went on to thank all of the surrogate mothers who still look out for him: Brenda Dixon Gottschild (who presented his award with an adorably awesome rap), Joan Myers Brown, and his "sister" Charmaine Warren.
Rennie Harris. Photo by Christopher Duggan
Although Diana Vishneva wasn't able to fly in from St. Petersburg due to illness, she sent a lovely video sharing that, "New York lifted me up; Marcelo lifted me higher."
That Marcelo she was referring to was of course Marcelo Gomes, her former partner at American Ballet Theatre. He presented Vishneva the award with a hilarious speech recounting their first time dancing together: She'd requested Gomes partner her in Manon—with just four days notice. But their first rehearsal together ended up being one of the best hours of his career. Gomes learned that Vishneva's "magical, intense stillness" is one of her greatest gifts. "She's a professional pauser," he joked. "That's her job."
To honor Marika Molnar, her daughter Veronika Jokel sang live to accompany New York City Ballet star (and long-time Molnar patient) Tiler Peck, in a solo she choreographed for the event.
Veronika Jokel and Tiler Peck. Photo by Christopher Duggan.
In presenting Molnar with her award, Miami City Ballet artistic director Lourdes Lopez thanked her for not only helping dancers to perform, but for helping them to keep moving and demonstrating long after they retire from the stage, so that they can pass everything on to the next generation.
Molnar then told the story of how she became NYCB's physical therapist: When she was fresh out of school, Balanchine was one of her first patients. Mr. B hated doing PT exercises like squats and heel raises, so, at his suggestion, they danced the exercises by waltzing together—three times a week around his living room!
Lopez presenting to Molnar. Photo by Christopher Duggan
The night wrapped up with a searing performance of Alvin Ailey's Cry by honoree Linda Celeste Sims, who showed off her ability to be equal parts "a Sherman tank and rose petals" as presenter Judith Jamison put it. "She's like steel, but then there's that heart and vulnerability."
Co-presenter Robert Battle playfully compared Sims to her famous pernil recipe: "She seasons it perfectly with salt and garlic and sazon; marinates it for three days. It's the kind of thing where you savor it, and the next day you say, 'Mmm, I can still taste it!' " said Battle. "Well, that's what her dancing is."
Linda Celeste Sims. Photo by Christopher Duggan.
A huge "thank you" to everyone who traveled from near and far to help us celebrate. With so much joy, talent and love for dance, the Dance Magazine Awards was something we know we'll be savoring for many days to come.
As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.
But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.
It's no surprise that dancers make some of the best TED Talk presenters. Not only are they great performers, but they've got unique knowledge to share. And they can dance!
If you're in need of a midweek boost, look no further than these eight presentations from some incredibly inspiring dance artists.
The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?