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The Most Influential People in Dance Today: Andy Blankenbuehler

Jeremy Daniel, Courtesy Bandstand

Through his work on shows like In the Heights, Bandstand and the game-changing Hamilton, Andy Blankenbuehler is pushing Broadway choreography into new territory. He continually reveals dance's ability to tell stories that matter to contemporary audiences, with movement that's meticulously detailed yet seamlessly integrated into the show's world. In his work, dance becomes not just important, but indispensable.

Read the rest of Dance Magazine's list of the most influential people in dance today.

The Creative Process
A Ladies of Hip-Hop battle. Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop

Michele Byrd-McPhee's uncle was a DJ for the local black radio station in Philadelphia, where she was born. As a kid she was always dancing to the latest music, including a new form of powerful poetry laid over pulsing beats that was the beginning of what we now call hip hop.

Byrd-McPhee became enamored of the form and went on to a career as a hip-hop dancer and choreographer, eventually founding the Ladies of Hip-Hop Festival and directing the New York City chapter of Everybody Dance Now!. Over the decades, she has experienced hip hop's growth from its roots in the black community into a global phenomenon—a trajectory she views with both pride and caution.

On one hand, the popularity of hip hop has "made a global impact," says Byrd-McPhee. "It's provided a voice for so many people around the world." The downside is "it's used globally in ways that the people who made the culture don't benefit from it."

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The USC Kaufman graduating class with Mikhail Baryshnikov. Gus Ruelas/USC

Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.

Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:

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Editors’ List: The Goods
Unsplash

What's better on your morning commute than listening to a podcast, you ask? We'd say, listening to a dance podcast!

Lucky for us, there are more dance podcasts than ever. We're here to provide a guide to our current top dance podcast picks.

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The Creative Process
Rena Most at work backstage. Photo courtesy ABT

Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.

Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.

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