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The Most Influential People in Dance Today: Liz Lerman

Lise Metzger, Courtesy Lerman

Pioneer Liz Lerman has reframed how dance can have meaning in the world. After exploring politics, the defense budget and her Russian Jewish heritage, Lerman became one of the first American choreographers to work directly with scientists and the first invited to CERN. As the founder of the Dance Exchange, Lerman helped lay the groundwork for creating art through community engagement and working with both multigenerational performers as well as non-dance populations.

No one was surprised when she won a MacArthur "genius" Fellowship in 2002, but this year her list of accolades grew considerably: the American Dance Festival's 2017 Balasaraswati/Joy Anne Dewey Beinecke Endowed Chair for Distinguished Teaching, the 2017 Jacob's Pillow Dance Award and being named an artist-in-residence at CultureSummit 2017 in Abu Dhabi. Now in her late 60s, she's currently the first institute professor at the Herberger Institute for Design and the Arts at Arizona State University, and is busy creating a new project with the working title Wicked Bodies, inspired by drawings of witches.

Read the rest of Dance Magazine's list of the most influential people in dance today.

Broadway
Amber Gray and Patrick Page. Photo by Matthew Murphy, Courtesy Hadestown

There's a rare moment in Broadway's Hadestown where the audience is able to breathe a sigh of relief. The smash-hit success is not well-known for being light-hearted or easy-going; Hadestown is a show full of workers and walls and, well, the second act largely takes place in a slightly modernized version of hell.

But deep into the second act, the show reaches a brief homeostasis of peace, one of those bright, shining moments that allows the audience to think "maybe it will turn out this time," as the character Hermes keeps suggesting.

After songs and songs of conflict and resentment, Hades, the king of the underground, and his wife, the goddess Persephone, rekindle their love. And, unexpectedly, they dance. It's one of the most compelling moments in the show.

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Sponsored by NYCDA
Ailey II artistic director Troy Powell teaching an Ailey Workshop at NYCDA. Courtesy NYCDA

Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.

"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."

Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.

Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:

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News
Amber Star Merkens, Courtesy Mark Morris Dance Group

There's always been something larger than life about choreographer Mark Morris. Of course, there are the more than 150 works he's made and that incisive musicality that makes dance critics drool. But there's also his idiosyncratic, no-apologies-offered personality, and his biting, no-holds-barred wit. And, well, his plan to keep debuting new dances even after he's dead.

So it should come as little surprise that his latest distinction is also a bit larger than life: The New York Landmarks Conservancy is adding Morris to its list of "Living Landmarks."

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Sponsored by Harlequin Floors
Left: Hurricane Harvey damage in Houston Ballet's Dance Lab; Courtesy Harlequin. Right: The Dance Lab pre-Harvey; Nic Lehoux, Courtesy Houston Ballet.

"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.

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