Just knowing you have an appointment with your favorite massage therapist can be an incentive to get through a long day in the studio. Achy muscles and tension will soon melt away and be replaced with that lovely sense of blissful relaxation.
Luckily, a massage is more than just a guilty pleasure. It can actually increase circulation, reduce muscle tightness and relieve stress. But while massage therapy has many positive benefits, it's not exactly the panacea some dancers wish it were. Before you skip the doctor, make sure you know both the benefits and limits of a good rubdown.
How Massage Works
Massage is not just about relaxation. Massage therapists look at how to make a muscle, joint and tendon fire more effectively and even decrease spasm, says Ron Mulesa, company massage therapist for the National Ballet of Canada.
There are several types of massage therapy. Dancers most often get a Swedish massage, which helps create a relaxation response in the body, or deep-tissue massage, which helps to reshape patterns of tightness by working on fascia (the connective tissue that wraps each muscle and groups of muscles, much like the casing of a sausage).
When a muscle is “tight," it can be a sign of overuse or strain, and circulation can be decreased and compromised, making the fascia dehydrated and sticky, which in turn creates adhesions. “These adhesions can become painful to stretch and they limit movement, reinforcing dysfunctional movement patterns," says Heather Southwick, director of physical therapy at Boston Ballet. “Massage can help break up these fascia adhesions, allowing for improved circulation to the muscle and restoration of full movement."
By allowing the muscle to work more freely, massage helps prevent imbalances that lead to injury. “Massage is one part of injury prevention and rehabilitation, along with exercise, nutrition and sleep," Mulesa says. “The massage therapist is part of the dancer's whole physiological team."
…Reduce Muscle Soreness?
Massage can increase your circulation, which helps improve recovery. The relaxation effects can also improve your perceived level of fatigue. “If a dancer relaxes after a rehearsal while their body is being worked on, they've already started the body's healing process," Mulesa says. “That sets them up to feel better, which means they can perform better."
…Increase Your Range of Motion?
Massage won't make your muscles more flexible, but it can help relax them. “It won't elongate the muscle, but if you are more relaxed, you will be able to move the limb or joint more easily, and that could increase your range of motion," says Deborah Vogel, a neuromuscular educator and lecturer in dance at Oberlin College. Mulesa says some dancers at the National Ballet of Canada ask for a 15-minute session before an important rehearsal or performance if they have a tight muscle. “They'll notice their pliés will be deeper or their arabesque will be higher afterwards," he says. “They feel they have their range back, but it all depends on how fatigued they are and what else is going on with their body."
If you want to get rid of toxins, you're better off focusing on hydration than massage. “Drinking water right after a massage to rid the body of lactic acid is a myth, as a massage generally does not release built-up lactic acid," Vogel says. “But staying hydrated will help your body function better."
Lymphatic drainage is proven to decrease inflammation, but that work requires a very light touch. Since a dancer's schedule is often packed, inflammation is more efficiently treated through electrical stimulation, icing and medication than massage, Mulesa says.
…Provide Stress Relief?
Massage has been proven to help reduce both physical and mental stress. “The best thing massage can do for you is to help you relax your body," Vogel says. It is also known to improve sleep and help decrease depression and anxiety.
The Bigger Picture
Everyone has muscle imbalances, and staying injury-free is all about maintaining balance in your body. “Dancers need to remember that massage is just one possible aid," Southwick says. “Be careful not to rely too much on restorative therapies that only help you 'feel better.' Adding stretching and strengthening to correct muscle imbalances is vital to help you get better, too."
3 Tips for Self-Massage
• Try a lacrosse ball. “It's a good size for a lot of body parts, it's only about $2 and it's rubber," says National Ballet of Canada massage therapist Ron Mulesa.
• Remember what your therapist does and try to re-create that, making sure it is never so painful that you hold your breath.
• If an area is too sore for pressure, try massaging your face, hands or any surrounding area, suggests neuromuscular educator Deborah Vogel. That will help decrease the body's overall muscle tension, which in turn will help decrease tension in the sore spot.
Time It Right
If you have a rehearsal or performance later in the day, massage work should be more superficial, as deep-tissue techniques can leave you feeling too relaxed, loose, a bit sore and unresponsive. A 2006 study published in the British Journal of Sports Medicine found a decrease in muscle-force production immediately following a lower-limb massage. Boston Ballet PT Heather Southwick advises dancers to save deep-tissue massage for when they have a day or so to recover from its effects.
As you're prepping your Thanksgiving meal, why not throw in a dash of dance?
This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.
Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)
I cannot be the only person wondering why we should care.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.