The Latest: Graham, Gone Wild
An eclectic mix of artists reenvisions Martha Graham’s Lamentation.
PeiJu Chien-Pott in Lamentation. Photo by Hibbard Nash Photography, Courtesy MGDC.
They’re choreographers you would never expect to see sharing a bill with Martha Graham: Modern dancer Kyle Abraham, tapper Michelle Dorrance, contemporary abstractionist Liz Gerring and Sonya Tayeh of “So You Think You Can Dance.” But each has created their own version of her historical work Lamentation to premiere during Martha Graham Dance Company’s season at The Joyce Theater, February 10–22. “Lamentation was a radical departure from what had come before, stripping everything away and representing the essence of emotion,” says artistic director Janet Eilber. “That seismic shift still resonates today.”
The project, Lamentation Variations, began in 2007 as a way to commemorate September 11. Come this season, MGDC will have 12 Variations in its repertoire. Eilber hopes that the range of choreographers participating this year—part wish list, part kismet—will bring something new to the Graham repertoire and grow MGDC’s audience by making the 85-year-old Lamentation more accessible.
Some of the choreographers feel like a natural fit. For instance, Kyle Abraham has built his Variation from his Graham and Cunningham training. “There’s a fear of doing too much of a derivative. I’m giving a nod to the technique, but allowing it to be my take,” says Abraham. “Knowing that Merce had studied with Graham, I found myself wanting to pair Cunningham curves and Graham contractions.”
Other choreographers’ works, like Dorrance’s, will introduce a new style to the Graham aesthetic. “I am not using tap dance as an acute technique in this work, but I am using its foundation,” says Dorrance. “This opportunity allows me to branch out and apply the way I see rhythm as a driving force for non-percussive dancers.
What would Martha think about all of this? “As we move forward on all of our experiments, I believe she’s cheering us on,” says Eilber. “She was all about the future.”
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.