Jeremy Pheiffer, Michael Watkiss in THEM, PC Rachel Papo

THEM Conjures the AIDS Epidemic and All Its Subterranean Fear

If you want to know how scary the AIDS epidemic was in the 1980s, come see Ishmael Houston-Jones' piece THEM from 1986. This piece reveals the subterranean fears that crept into gay relationships at the time. Houston-Jones is one of downtown's great improvisers, and his six dancers also improvise in response to his suggestions. With Chris Cochrane's edgy guitar riffs and Dennis Cooper's ominous text, there's an unpredictable, near-creepy but epic quality to THEM.


THEM premiered at P. S. 122—which was a hub of downtown dance that ran the gamut from silly to serious, serene to outlandish—and was revived in 2010. Now, just after P. S. 122 has been transformed into a spiffy new venue called Performance Space New York, THEM is being revived again, from June 21-28. Perhaps bringing the rough-edged THEM back is an attempt by PSNY to get back to its roots.

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Ana Maria Alvarez. Photo by Tyrone Domingo, Courtesy Alvarez

The Doris Duke Charitable Foundation Just Awarded Four Dance Artists $275,000 Each

At a time when many artists are feeling more financially strained than ever before, one of the most coveted grants in the arts is expanding. The Doris Duke Charitable Foundation has responded to the economic crisis by handing out eight Doris Duke Artist Awards, up from six in 2019.

What's more, half of those have gone to dance artists: Ana María Alvarez of CONTRA-TIEMPO in Los Angeles, Sean Dorsey of San Francisco's Sean Dorsey Dance and Fresh Meat Festival, Rennie Harris of Philadelphia's Rennie Harris Puremovement and New York City contemporary choreographer Pam Tanowitz.

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