Name calling, physical intimidation and cyberbullying are all-too-common experiences among male dancers. Photo by Goh Rhy Yan/Unsplash

Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.

"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "

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Because who doesn't want their feet to look as gorgeous as Sara's? (Photo by Christopher Lane)

Ah, the quest for the perfect, foot-flattering, technique-enhancing pointe shoe: It can feel like a never-ending saga. Still on the hunt for that ideal pair? Then you won't want to miss The School at Steps' annual Pointe Shoe Workshop and Fair, happening this Sunday, April 22nd, at 6:30 pm in NYC.

As always, the event—which is sponsored by our friends at Pointe—will feature an impressive panel of experts. This year's lineup includes orthopedist Dr. Andrew Price, professional fitter Mary Carpenter, master teacher Linda Gelinas, Pointe style editor Marissa DeSantis, and New York City Ballet star Sara Mearns (eee!).

Read the full story at dancespirit.com.

Dancers Trending
The George Mason University students dancing the leads in Lar Lubovitch's A Brahms Symphony connected with the dancers who originated the roles. Photo by Clayton Willis, Courtesy George Mason University

A watershed moment. That's how choreographer Lar Lubovitch recently described his now-classic A Brahms Symphony. Now, a group of 16 George Mason University dance majors are having their own watershed moment with that jubilant work: They will dance it at the venerable Joyce Theater in New York City, where they will close the 50th anniversary season of the Lar Lubovitch Dance Company on April 22. It's such a big deal the college president, Angel Cabrera, likened it to when the basketball team made it to the NCAA Final Four.

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Dance Training
For An American in Paris, Robert Fairchild had to master the art of singing and dancing simulltaneously. PC Angela Sterling, Courtesy Boneau/Bryan-Brown

At the end of Act I in Broadway's Mean Girls, the entire ensemble performs high-energy choreography while belting what Kamille Upshaw says is "a million notes at once." Though Upshaw is a Juilliard-trained dancer who made her Broadway debut in Hamilton, nothing, she says, could prepare her for this moment. "Singing while dancing is just hard," Upshaw says. "It takes patience, focus and compromise."

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Dance Training
IADMS is looking to honor someone who's made a substantial impact through teaching dance. Photo via Thinkstock

Great dance educators with smart, scientific teaching practices are invaluable to the dance field. How else could we create healthy, beautiful dancers?

The International Association of Dance Medicine and Science is looking to honor someone who's made a substantial impact through teaching with its annual Dance Educators Award—and the committee is asking for nominations.

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Popular
An SFB ballet master spills on the most common mistakes she sees. Here, SFB in Sleeping Beauty, Photo by Erik Tomasson.

When conveying a story onstage, portraying a character convincingly is just as important as nailing the steps. But that's often easier said than done. We talked to Anita Paciotti, ballet master at San Francisco Ballet, about the biggest acting mistakes she sees dancers making:

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Dance Training
PC Ryan Barrett, Courtesy OKCU

In college dance programs, tap usually doesn't get the same kind of love as modern and ballet. So what's a serious tap dancer to do? Here's how to pick a program that will challenge you—and how to get by if your school doesn't offer enough tap.

Ask your teachers for help.

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Dance Training
Adriana Pierce made Acantilado on her colleagues at Miami City Ballet. Photo by Leigh-Ann Esty, Courtesy Pierce

Once Adriana Pierce caught the choreography bug as a teenager, dancemaking came naturally. More difficult was navigating the tricky situations that would arise when choreographing on classmates and friends. "If a rehearsal didn't go well, I'd worry that people didn't respect me or didn't like my work," says Pierce, who went on to participate in the School of American Ballet's Student Choreography Workshop twice, at 17 and 18. "I had a lot to learn: how not to take things personally, how to express what I wanted, when to push and when to back off."

Choreographing on your peers can feel intimidating. How can you be a leader in your own rehearsals when you're dancing at the same level the rest of the time? How can you critique your cast without hurting feelings? Avoiding pitfalls takes commitment and care, but the payoff is worth it.

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