Avichai Scher is a freelance journalist in New York City who's written for The New York Times, HuffPost, The Daily Beast and NBC News. He was a dancer and choreographer for 10 years, including dancing with Joffrey Ballet, choreographing for Ballet West and Texas Ballet Theater and running his own company, Avi Scher & Dancers, for four years. In 2005, he was a Dance Magazine "top 25 to watch" for his choreography.
Today marks the 50th anniversary of the uprising at the Stonewall Inn, when LGBTQ people fought back against police raids and harassment. The riots, which stretched over six nights, are largely considered the birth of LGBTQ rights movement.
As the queer community celebrates Pride and the legacy of Stonewall, it's also raising awareness of continued struggles for full equality.
We caught up with LGBTQ dancers to hear how dance has been a haven for them, and on the challenges the profession still faces for equality.
Launching a dancewear line seems like a great way for professional dancers to flex new artistic muscles and make side money. Several direct-to-consumer brands founded by current or former professional dancers, like Elevé and Luckleo, currently compete with bigger retailers, like Capezio.
But turning your brand into the next Yumiko is more challenging than some budding designers may realize.
Snow Scene in Val Caniparoli's The Nutcracker for Louisville Ballet. Photography by Wade Bell
Choreographer Val Caniparoli started his ballet career by performing in Lew Christensen's The Nutcracker with San Francisco Ballet in 1971. Today, he still performs with SFB as Drosselmeir, in the company's current version by Helgi Tomasson.
It takes Caniparoli a lot of concentration to stick to the choreography.
"I have the four versions that I choreographed of the role in my head, plus the original I danced for years by Lew," he says. "That's a lot of versions to keep straight."