Haley Hilton is a journalist, dancer, and dance teacher from Salt Lake City, Utah. She has danced professionally with Odyssey Dance Theatre and has taught for four years at Center Stage Performing Arts Studio in Orem, Utah. She recently graduated in Journalism from Brigham Young University and is currently working as an Editorial Intern at Dance Spirit.
When you're bouncing between hotel rooms without access to a kitchen, eating a pescatarian diet can be challenging. Stephanie Mincone, who most recently traveled the globe with Taylor Swift's Reputation Stadium Tour, told Dance Magazine how she does it—while fueling herself with enough energy to perform for thousands of Taylor fans.
For dancers with a strictly concert background, making the transition into TV and film can feel like stepping into the unknown. The heightened speed of the rehearsals, ever-changing structure of the sets and somewhat alien nature of the cameras is enough to make even the most seasoned professional a little apprehensive. But dancers can apply the savvy they've learned on concert stages to on-camera opportunities.
At auditions, warm-up space may be limited for non-Equity dancers, says Sarah Cooper, here in Disney Dreams. Courtesy Sarah Cooper.
If you're looking for your first Broadway contract, getting your foot in the door is tricky. Auditions are structured to prioritize members of the Actors' Equity Association, the union for stage professionals. There are several ways to become a member: Sign a contract for an Equity show; be a member of a sister union, like AGMA or SAG-AFTRA; or accrue "Equity points" by working at specific theaters for at least 25 weeks. But in the meantime, dancers face serious challenges.
