When George Balanchine's full-length Don Quixote premiered in 1965, critics and audiences alike viewed the ballet as a failure. Elaborate scenery and costumes framed mawkish mime passages, like one in which the ballerina washed the Don's feet and dried them with her hair. Its revival in 2005 by Suzanne Farrell, the ballerina on whom it was made and to whom Balanchine left the work, did little to alter its reputation.
Yet at New York City Center's Balanchine festival last fall, some regretted its absence.
"I'd want to see Balanchine's Don Quixote," says Apollinaire Scherr, dance critic for the Financial Times. "It was a labor of love on his part, and a love letter as well. And you want to know what that looks like in his work."
Even great choreographers make mistakes. Sometimes they fail on a grand scale, like Don Quixote; other times it may be a minor misstep. Experiment and risk help choreographers grow, but what happens when a choreographer of stature misfires? Should the work remain in the repertory? And what about a work that fails on some levels but not others?
A quiet power has marked Michael Novak's dancing since he joined the Paul Taylor Dance Company in 2010. Long a critics' favorite, he has gracefully shared the spotlight with higher-profile performers, contributing steady excellence to works from Gossamer Gallants to the iconic Esplanade. But no one was more surprised than Novak when Taylor tapped him to be artistic director designate. Novak, 35, will oversee every component of the Paul Taylor enterprise, from the Paul Taylor American Modern Dance initiative to the school. But most critically, he will direct the Paul Taylor Dance Company, which may be his toughest role yet—one he has already begun training for.
We spoke to Novak earlier this summer, before the announcement of Novak's new role turned out to be portentous: Taylor passed away this week.
Erica Lall credits her tap dancing for the musical sensitivity of her American Ballet Theatre performances. From a wili in Giselle ("I love petit allégro," she says) to a soloist in Marcelo Gomes' contemporary AfterEffect, Lall deftly accents a striking range of choreography. Precise and expressive, she floats on the music, never overstressing the beat. As a Porcelain Princess in Alexei Ratmansky's staging of Aurora's Wedding last spring, she mastered the variation's minute, detailed movements and relentless pointework with a delicate, doll-like charm.
If you had a dollar for every cup of coffee spilt over an Alastair Macaulay review, you could put a down payment on a Brooklyn studio. The British-born Macaulay became The New York Times' chief dance critic in 2007. Since then his reviews, often personal in tone, filled with reminiscences as well as dance history, have generated their share of controversy—and buzz. Even his favorite dancers, like David Hallberg, are not immune from criticism. And few current dancemakers are deemed worthy of his choreographic pantheon, where Balanchine, Ashton and Cunningham reign supreme.
But despite his quirks, Macaulay has drawn fresh attention—and many would argue fresh audiences—to dance. Some companies have found that a positive review feeds ticket sales on tour; others that a negative one chills box-office sales overnight. His passionate critiques, pro or con, appeal to readers who have come of age in the unvarnished world of social media.
What makes American Ballet Theatre quintessentially American? A new Ric Burns documentary American Ballet Theatre: A History tries to find an answer. The film airs tomorrow night on PBS’s American Masters series just as the company kicks off its 75th anniversary season. Expect snippets from dancers like Misty Copeland, speaking frankly about being an African American in ballet, and Julie Kent, drawing a sharp contrast between a company founded on a single choreographer’s vision and a repertory ensemble like ABT. These glimpses come between extended slow-motion sequences and long takes from an interview with dance historian Jennifer Homans (whose well-known admiration for Balanchine’s work makes her an odd choice to explain the importance of ABT’s varied repertoire). But the program offers an intriguing taste of the company’s special mystique. Dance Magazine asked Gillian Murphy to tell us more.
What do you think are the characteristics of an ABT ballerina?
The rep is so diverse and the standard is so high that all of the dancers need to be great athletes, exceptionally quick learners and versatile enough to perform a wide variety of classical and contemporary roles. A ballerina in ABT needs the skill and the chutzpah to breathe new life into the iconic roles of the past and the humility and curiosity to continue to grow as the art form expands in new directions.
The documentary shows clips of celebrated past ABT ballerinas. Are there ones whom you especially admire?
Natalia Makarova, Gelsey Kirkland and Cynthia Gregory particularly impressed me when I was a kid. Also, when I joined ABT, I really looked up to Susan Jaffe and Amanda McKerrow. They always epitomized elegance, beauty and richness of character on the stage, and their generous coaching has been invaluable.
In the documentary, you comment about performing Odile. What’s fun—or difficult—about dancing her?
I see Odile as a femme fatale. But I actually feel that Odette's subtlety and vulnerability is more challenging than Odile's dynamism. However, since I'm fairly low-key in real life, it's particularly fun to be the wicked character and stir up drama.
Alexei Ratmansky is interviewed in the documentary. You have worked with him on several ballets. How does his work fit into ABT’s identity as a repertory company?
Until Alexei's appointment, ABT hadn't had an official artist-in-residence since Antony Tudor. We have had ongoing creative collaborations with choreographers such as Twyla Tharp and Lar Lubovitch, and it makes such a difference for the dancers to have that ongoing experience with particular styles and movement vocabularies. It’s wonderful to have Alexei Ratmansky working with ABT on a consistent basis. He’s quietly intense in the studio, very specific with every detail of musicality and physicality, and it is a pleasure to work with him.
What do you love most about dancing with ABT?
There are so many reasons why I am grateful to dance at ABT. I've always been drawn to dancing the mix of full-length classics and rep by Balanchine, Robbins, Tudor, and so many other masterful choreographers from the past and present. And ultimately, I'm inspired every day by all the extraordinary and unique dancers in this company.
Homage and innovation pair seductively in choreographer Sidi Larbi Cherkaoui’s M!longa, a refreshing exploration of tango’s essence, opening tonight at New York City Center after premiering to rave reviews in London in 2013. Ten dancers and an onstage band move beyond tango’s classic male-female dynamic to explore the yearning and melancholy beneath the passion in solos, a male trio, ensembles and thrilling male/female duets. Cherkaoui has cast both contemporary dancers and leading Argentinian tango artists like German Cornejo, who lend authenticity and presence to the piece’s many moods. DM recently interviewed Cornejo, 28, about dancing in the show:
How does M!longa capture tango’s essence?
It shows the most important thing about the tango: connection and intimacy. It’s two bodies breathing at the same time, giving all from one partner to another.
How long have you been performing tango?
I started at 10, and have been a professional dancer since I was 14. Along the years, I studied ballet, contemporary dance and jazz in order to complete my formation as a dancer.
Why do you think Cherkaoui chose to explore the tango idiom?
He's trying to prove the purity of the genre from a more emotional place, on occasion using clichés and other ideas to go beyond the superficial. He worked intensely with each of us, allowing for the development of a wide range of expressive possibilities within the "tango" of each couple. This allowed for the creation of different sides of this popular dance form.
What do you hope that audiences take away from the piece?
I hope the audience can see that tango is more than serious faces and criss-crossing legs. Rather, it is an oasis for human contact, a communication channel in an increasingly mechanized society that mourns the lack of contact.
What drew you to tango?
Well, many things. At first I felt in love with the wealth of music, and tango’s intensity and mystery. Then, I was completely trapped by the complexity of the dance and at the same time the simplicity of the embrace of another person. The tango is a one-way trip: Once you know it, you will not want to leave it anymore.
Broadway choreography often vanishes when the curtain comes down. Numbers fade from dancers’ memories, dance captains move on and few choreographers have the leisure to polish their legacies. American Dance Machine launched in the 1970s to preserve the best of Broadway dance. Relaunched two years ago as American Dance Machine for the 21st Century, the company now showcases newer Broadway work and musical theater rarities as well. The current run at the Joyce Theater in New York not only revives classic showstoppers like Michael Bennett’s “Turkey Lurkey Time” from Promises Promises, but also recent ones by Rob Ashford (the title number from Thoroughly Modern Millie) and Andy Blankenbuehler (“The Club” from In the Heights). The pieces have been staged by starry names like Donna McKechnie, Diane Walker, Randy Skinner and Marge Champion and the dancers, drawn from the world of ballet as well as Broadway, have equally impressive resumes: New York City Ballet’s Daniel Ulbricht, Craig Hall, Amar Ramasar and Georgina Pazcoguin join tap headliners Dormeshia Sumbry-Edwards and Derrick Grant, and a host of featured and ensemble Broadway talent.
“ADM is passing on the legacy and knowledge of some of the industry’s most renowned choreographers,” says Alison Solomon, a Broadway dancer and choreographer who will perform a duet from Street Scene, choreographed by Patricia Birch. “I’ve been doing so much as an associate choreographer lately, it’s exciting to have the opportunity to get back on stage.” Solomon wishes that she had been dancing when Fosse and Robbins were working on Broadway, but in the meantime, she has a list of dances that she hopes ADM21 will bring back. “I think it would be awesome to do numbers from some of the big MGM musicals, like the ‘Broadway Melody’ ballet from Singing in the Rain,” she says. Hmmmm. Paging Cyd Charisse and Gene Kelly types….
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The Royal Ballet’s new artist-in-residence, Liam Scarlett, has been generating buzz on both sides of the Atlantic for the last few years. His latest work, Hummingbird, will have its world premiere next week at San Francisco Ballet to Philip Glass’s Tirol Concerto for Piano and Orchestra. Dance Magazine is giving a pair of tickets to the ballet’s April 30th performance. Also on the program are Helgi Tomasson’s popular The Fifth Season and Serge Lifar’s celebrated showcase of neoclassical style, Suite en Blanc. Click here to enter.
Bollywood’s hot so don't miss your chance to learn new, vibrant Bollywood and bhangra dance moves—free— from members of blue13 dance company at L.A.’s "Bollywood in Hollywood" jam. A live DJ and drummers will get you moving to the beat under the stars June 30. For more information (and to reserve your free spot), click here.
Expand your dance horizons with Nicole LeGette’s Landscapes of Uncertainty. Free dance performances should never be ignored, so mark July 10 on your calendar to see this butoh and poetry-infused work in the Chicago Cultural Center Dance Studio, 6:30 p.m.
Get in on the action as tappers of all styles, backgrounds, and countries converge on the Big Apple for Tap City, July 8-11. There are training programs for all ages, master classes galore, performances, and citywide events that celebrate tap-a great American art form! $23 for students—more info, click here.
Hey students! Take a break from studying to see Alvin Ailey! The Orange County Performing Artscenter is offering student rush tickets to upcoming Alvin Ailey American Dance Theater performances. The series runs March 11–16 at the Segerstrom Hall in Costa Mesa, CA. Tickets are $20 for orchestra seats and only $10 for seats in the tiers! Don’t forget to bring your student ID! Visit OCPAC.org or call 714-556-2746 for more info.
For warm weather dwellers, it’s that time of year again: The 5th Annual Miami Beach Dance Festival! Hosted by Momentum Dance Company, this year’s festival will feature five dance companies and 50 artists over a 10-day period. The festival includes workshops, master classes, dance films, panel discussions and lectures, and it’s April 3–13 in Coconut Grove, FL. Tickets to events run from $8 to $25. Visit momentumdance.com to get yours (get them before March 15 and save $5!).
If you’re a bunhead who’s been looking to get your tap on, here’s your chance, with Dance 101’s Discover Tap Series. This 8-week beginner course, taught by UGA Tap Dawgs founder Lindsay Thiel, will have you time stepping and shuffling in no time. It’s Saturdays from 3–4PM starting on March 1 at the Dance 101 studios in Atlanta, GA. Get all eight classes for just $175! Visit dance101.org for more info.
What’s even better than seeing a great show onstage? How about seeing a world premiere show from behind-the-scenes?! Malashock Dance is inviting the public (that’s you!) into the studio to experience “Stay The Hand” before its world premiere performances in April. It’s at the Dance Place San Diego, March 7–8 at 8PM and March 9 at 7PM, and tickets are just $15! Get yours by calling 619-260-1622 or at malashockdance.org.
Wanna talk dance? Then do it the Ivy League way! Harvard University and Boston Ballet are partnering up to give you a behind-the-scenes look at one of the world’s premiere ballet companies with its new series, Dance Talks. At this unique panel discussion, you’ll chat with Boston Ballet’s choreographers and artistic staff and get a sneak peek at the company’s upcoming performances. It’s Wednesday, March 19 at 7:30PM at the Harvard Dance Center in Cambridge, MA. Tickets are just $10 and you can get ’em at the door or by calling 617-496-2222.
Growing tired of your typical classes? Come take one with State Ballet of Georgia’s Ballet Master Svetlanta Gochiashvili! This community class is Feb. 18 at 7:30PM at the Gustafson Dance Studio in Santa Barbara, CA, and it’s only $15! Call 805-966-6950 or visit sbdancealliance.org to reserve your spot today.
Calling all tappers! Lady Di is in the house! America’s First Lady of Tap, Dianne “Lady Di” Walker, is coming to North Adams, MA, from Feb. 20–23 for a series of workshops and performances. This all-ages event culminates an “all-out jam” session and performance on Feb. 23 at 4PM. All events are held at the MASS MoCA performing arts center in North Adams and are free for kids and just $5 for adults. For more, check out massmoca.org.
Want your weekend dose of hip-hop with a side of ballet? Then come spend a worldly night out with six acclaimed dance companies (Step Afrika! Maryland Youth Ballet! Dana Tai Soon Burgess & Co!) at the 4th annual Dance Bethesda Concert. It’s Sat., March 8 at 8PM at the Round House Theatre in Bethesda, MD. Getting in will only cost you $20, so get your tickets today from bethesda.org.
Get your dance fix from the comfort of your own couch! If you're still mourning the winter absence of "So You Think You Can Dance," MTV has got you covered with it's new reality hip-hop competition series, "Randy Jackson Presents: America's Best Dance Crew." The show will feature dance crews facing off against one another in dance battles and celebrity judges include J.C. Chasez and Shane Sparks. The show premieres Feb. 7 at 10PM on MTV plus there's a special casting episode that will air this Saturday at 2PM. Get ready to get hooked on this new show! For more, check out http://dancecrew.mtv.com.
The master of modern, Merce Cunningham, is coming to your computer. Beginning in February, the Merce Cunningham Dance Company will begin an online video program called "Mondays With Merce," featuring a live feed from Cunningham's class. Check it out at merce.org. So if you haven't been able to take a class with Cunningham, now's your chance to log on and learn the technique and movements that make Cunningham technique what it is today.
Come check out the new dance class that's taking the world by storm: ZUMBA! This Latin-based workout is fun, easy and a calorie-blaster! So if you're still working off those holiday cookies (and getting ready for the Valentine's Day ones!), sign up today. There's a free demonstration Jan. 23 at 5PM at the Sywer Studios in Saratoga Springs, NY. If you like what you see, you can sign up immediately! Regular classes are held Wednesdays at 5PM and Fridays at 9:30AM and they're just $10! For more info, call 518-584-2225 ext. 3001 or click here.
Valentine's Day is coming up, so why not treat yourself to a romantic night of dance with Roxey Ballet's Dances from the Heart. This performance promises to be magical, passionate and a celebration of love. It's Feb. 9-10 with several shows available at the Canal Studios in Lambertville, NJ. Tickets start at just $20—and they're better for you than a heart-shaped box of chocolates! Click here to get yours.
Celebrate Hubbard Street Dance Chicago’s 5th anniversary with a super-special (and super-affordable!) performance. HSDC will be pairing up with the Chicago Symphony Orchestra for this one-night-only event, which will revisit past works in addition to introducing several new pieces. It’s at Chicago’s Symphony Center on Friday, Jan. 11 at 8PM. Tickets start at just $17 so get yours ASAP. Click here for more.
Feeling sultry? Then join Jean Isaacs San Diego Dance Theater for the 7th annual Cabaret Dances—Imagines Latinas. In collaboration with the San Diego Museum of Art, nine SDDT dancers will be performing Latin-inspired modern dance pieces to live music (and there’ll be food!). It’s Jan. 17-19 at 8PM and Jan. 20 at 6PM at the James S. Copley Auditorium in Balboa Park, CA. This event promises to be sexy and sophisticated, so don’t miss out! Tickets are $25 and just $10 for students. Click here to buy yours.
Still mourning the fact that “So You Think You Can Dance” is in remission until next summer? No worries, because The Studio Dance Co. is bringing Hok to town for a series of three master classes! Fresh off the “SYTYCD” national tour, Hok will be teaching three hip-hop sessions at The Studio Dance Co. in Clearwater, FL, on Sunday, Dec. 9 starting at 11AM. It’ll cost you $50, which includes a Meet and Greet and photo session! Pre-registration is required and this class will fill up fast, so call 727-724-5999 or click here to reserve your spot today!
Eat all the Christmas cookies you want, and then dance ’em off with a Free Day of Dance! You bought gifts for everyone on your list, now consider this your present from Malashock Dance, Jean Isaacs San Diego Dance Theater and San Diego Ballet. It’s Dec. 26 from 10AM to 5:30PM at the Dance Place San Diego Studios, 2650 Truxtun Rd., San Diego, and did we mention that the whole day is FREE?! Call 619-260-1622 or click here for more info.
If the crowded malls and long lines are getting to you, come unwind with Denver Independent Choreographers’ Project’s December Modern Dance series! Classes are Dec. 3, 10, and 17 at 6:30PM at A Living Arts Centre, 2231 S. Platte River Drive in Denver, CO. Classes are only $8 each or $18 for all three! Call 303-502-4716 for more info.
Here’s a New Year’s Resolution for you: indulge in your love for dance at NYC’s Guggenheim Museum! On Jan. 13-14, fan favorite Frederic Franklin will be discussing the highlights of his dance career with Ballet Russe de Monte Carlo and American Ballet Theatre. You won’t want to miss this evening, part of the museum’s Works & Process series, which will feature a performance by Julie Kent! Tickets are only $25 and you’ll want to get them ASAP! For more info, click here.
What’s better than an evening of dance? How about one that supports a good cause?! Join Houston’s The Hobby Center for the Performing Arts and Hope Stone Inc. as they bring dancers together for the annual Illumination Project, which helps raise AIDS awareness. It’s Saturday, Dec. 1—which is also World AIDS Day—at 8PM at Houston’s Hobby Center for the Performing Arts. Tickets are only $35! Call 713-315-2525 or click here for more info.
Need a new holiday tradition? It’s time for the return of last year’s hit dance show inspired by Rodgers & Hammerstein’s music, Fraulein Maria. Think The Sound of Music meets Aretha Franklin. It’s Dec. 12 and 14 at 7:30PM and Dec. 15 at 1:30 and 7:30PM. All shows are at Joe’s Pub at The Public Theater, 425 Lafayette St., NYC. Tickets are only $20! Call 212-967-7555 or click here for more.
Indulge in an hour of dance with Chartier Danse’s Bas-Reliefs. This duet featuring Marie-Josee Chartier and Dan Wild was inspired by paintings and is being brought to life now for you. It’s Tuesday, Nov. 20 at 12PM in Toronto at the Four Seasons Centre and this performance is free! Don’t miss out! Click here (and bookmark this great link!) for more info.
Come celebrate in Miami! The New World School of the Arts is presenting live drummers and earth shaking moves of the African Diaspora with guest choreographers including Garth Fagan, Peter London and more! It’s Nov. 16–17 at 7:30PM and Nov. 18 at 2PM at the New World Dance Theater in downtown Miami. Tickets are only $5! Get yours now by calling 305-237-3341 or by clicking here.
Broaden your dance horizons with Dance New Amsterdam’s Fusion Master Class Series! Starting Nov. 5, from 2-6PM every Monday, Wednesday and Friday, you can learn contemporary jazz, Jazz/Chinese fusion, and Afro-Cuban jazz. Classes are just $18 and are held at the Dance New Amsterdam studios in NYC. For more information, click here.
Get ready for some serious breaking, poppin’ and lockin’ because it’s time for the 9th Annual San Francisco Hip Hop Dancefest! Come check out some of the best hip-hop dance companies from Europe and Japan to the U.S. The festival includes two programs, several master classes and a VIP reception for the audiences and performers (your chance to meet the stars!). It’s Nov. 16–18 at the Palace of Fine Arts Theatre in San Francisco. This is a steal at only $35! The festival has sold out for the past eight years, so get your tickets today by calling 415-392-4400 or by clicking here.
It’s Giordano Jazz Dance Chicago time! The uber-impressive company kicks off the weekend with the premiere of “Let’s Play,” choreographed by Kiesha Lalama-White. This action-packed new repertoire is sure to surprise you, so don’t miss out. It’s Oct. 26-27 at the Harris Theater for Music and Dance in Chicago, and tickets are as cheap as $25! Get them now by calling 312-334-7777 or click here.
Calling all yoga buffs! Grab your mats and come join Karin Stephan, the founder of the New York Iyengar Yoga Association, for her “Alignment and The Asymmetric Body” workshop. This workshop will focus on the idea that nobody’s perfect—dancers included—and now’s your chance to let an expert show you how to correct some of those imperfections with yoga! It’s Nov. 9-11 at the Yoga Union Center for Backcare & Scoliosis in NYC and while it costs $295 for the full workshop, it’s just $45 for Friday night only! Call 212-532-1512 to reserve your spot today!
Scope out today’s young talent and hot choreographers at the 7th annual SOLA Contemporary Dance Festival! Advanced dance students from local high schools will be on hand performing original works from renowned choreographers. Don’t even think about leaving early, because event host Regina Klenjoski Dance Company will be closing out the program! The festival is Nov. 10 at 8PM at the James Armstrong Theater in Torrance, CA. Tickets to this talent-filled event are only $10! Get yours by calling 310-781-7171 or click here for more info.
If you haven’t said goodbye to Julio Bocca , what are you waiting for?! His last NYC performance will be at the Brooklyn Center for the Performing Arts his Ballet Argentino in the supersensation “Bocca Tango.” The sultry show will pay tribute to Argentina’s signature dance. It’s on Sunday, Nov. 11 at 2 pm. Tickets are only $30 so get yours today! To order, click here or call 718-951-4500.
Join Hollywood’s hoofing tap star Miriam Nelson for a Tradition In Tap workshop! Nelson is bringing her unique style to you with three days filled with her original choreography, a participants showcase, an awards presentation, tap history chats and much more! It’s Nov. 9–11 at the Nola Studios in midtown Manhattan. The workshop isn’t cheap ($395 gets you the total package) but it’ll be well worth your money! Click here for more info and to register. Space is limited so register ASAP!
Take advantage while you can! If you’re between the ages of 16–29, sign up now to get $20 tickets to the National Ballet of Canada’s as part of their new membership program, DanceBreak! Aspiring dancers and fans in Toronto, don’t miss this incredible opportunity! Order online by visiting dancebreak.ca or visit the box office at the Four Season Centre for the Performing Arts. Bonus: members automatically receive the best available seats in the house! For more info, call 416-345-9686 ext. 302 or click here.